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File: 1655528280063.jpg (62.49 KB, 400x554, 1203884050101.jpg)

 No.15780

Why does it feel as though the prevalence of Japanese culture in anime and manga hobbyist platforms has lessened despite the increasing popularity of the medium in the west? Has it simply become too widely available for it to have any permanence?

Think about the last time you saw shit like gachimuchi (that wasn’t made by a westerner aping the old content), nico medleys (which still get made today), content like Mou Ikkai, Geddan, Okkusenman, Miku stuff like Fukkireta, etc. I haven’t seen anything close to that on most western anime imageboards in many years. The best you see are the “go to Futaba and bring something back” (and calling it "2chan") threads but even those get a couple of posts or simply get deleted on the big places like 4chin these days.

Now it's just """"""""discussing""""""""" the stuff you're watching/reading, no more generating or sharing niche stuff made by fans.

 No.15781

It's not just here, the contradictions and worsening of capitalism has made Japanese hobbyist culture die out since 2013 or so due to their companies growing more aggressive causing people to get more complacent with spending, cancelling others for copyright infringement, posting about their gacha rolls, etc. in place of creating.

 No.15791

you sound spooked as fuck my guy, why does it not count when it's content made for a jp vtuber instead of for an anime, or a meme from japanese twitter like the I字 thing which i saw tons of reposts of on other boards, or those GYARI vocaloid videos which were fucking all over the place
>>15781 is true for sure but i really don't think it's as bleak as you're making it seem

 No.15799


 No.15800

>>15781
ya, japan is part of the imperialist triad, I think it's being coopted for the sake of soft power influence just like Hollywood spreads their media all over the world, after the economic collapse they've been moving away from a dirgisme style economy towards neoliberalism at the prompting of American sanctions.


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