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File: 1608528064617-0.jpg (124.93 KB, 449x600, 8955.jpg)

 No.1237

To bring up my back ground before getting into the topic at hand. I am a historian and have been interested in seeing how we humans throughout history cope with deadly diseases. As we have seen in recent times of deadly diseases, such as the "spanish" flu, ebloa, sars, etc.

Now to focus on thentopic, humans throught hidtory tend to personify diseases. One of the best examples woth the related pictures are from the bubonic plague. Where medieval artists would cope with the death by creating personfications of the plague. This is what intrests me is why do we cope with the death by making into a person? I would like to hear from some of you on this, for its an interesting subject.

 No.1238

>>1237
I don't have any social studies or history background, but I think it's related to the mortality of a human being, thus it's easier to see its end than imagining the end of something we can't even see. I don't have anything to back that up tho.

 No.1240

>>1237
You just wanted to make a topic about corona-chan didn't you, admit it.

 No.1242

>>1240
There is already a thread about that on /GET/ already and lets be honest. This is only but another example of what I am trying to tall about. Because during the internet age we have been making art of things like the ebola or now the corona virus. I wanted to have a discussion about why we personify these deadly dieases as we did throughout history.

>>1238
This might be the case, I wonder what makes us as humans feel more at ease being able to see the virus as a humanoid. I know from what happened in the mid 14th century with the black plague it drastically changed the world in those five years it lasted. Art changed showing the depiction of death, as a sort of comforting thing.

 No.9465

>>1242
Here's something for you; Apollo started out as such a personification

 No.9470

>>1237
It could be theoretically argued that the tendency to personify things extends outwards to all boundaries of human existence, as a sort of inevitable anthropocentrism which permeates all facets of our perception due to qualities which are inescapably ingrained in our consciousness: i.e. that a human recognizes their own humanity, as its species essence, is a rather unique feature, even though it might sound mundane. The symbolic realm arguably derives from this, and if said realm does indeed owe its origins to such a tendency, then it would make sense for it to always be 'textured' with the recurrence of specifically human imagery. Even animals, as we often depict them, are more or less projections of our own sense of mythos… representational metaphors–a fox, for example, is not 'just a fox', but is connotated as 'sneaky, mischievous, suave–an archetypal trickster', etc.
People will probably accuse me of coming off as overly Jungian, but I'm not really much of a subscriber to him, that is, outside of the base realization that there's probably some kind of innate anthropocentric lens which colors our figurative ideals of reality. So at any rate, I don't think the phenomenon spoken of here is so exclusive to death, although at the same time, I guess the 'coping theory' isn't mutually exclusive with what I'm saying either.

 No.9471

>>9470
*is so particular to death


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