>>1638109it seems no one has bothered reading
>>1633510 so i will take this post as an opportunity to underscore and contextualize a few points
>down to the same automation argument that any factory worker could make - fear that it will take or have a negative impact on their job in some regardthe analogy is rather shallow. perhaps there is an element of some vulgar luddism (which ultimately is not something that should be responded to with ridicule in the first place as it is often done), but there is more at stake here. really what matters are the conditions of possibility for ai in the first place. the effectiveness of artificial intelligence is contingent on training data, and this is data ultimately sources from human artists. for some reason, when it comes to data people here don't seem to be able to think about it in a very clear manner, focusing merely on the reproducibility of the data by other machines as opposed to its essential ingredient viz. human action. it is strange because if i were to say that places like youtube and google are not at all free services because they are tracking and selling this data, people have no problem agreeing… it is clear phrased this way that data isn't free, and there is a demand for us to think about its ethical usage and circulation. however, in this specific case of digital art, these points are strangely forgotten for whatever reason. even ignoring this angle, there is also the fact that generative ai is not perfect, and it is definitely still a work in progress. the extraction of artwork as a means to improve this ai is still an ongoing process. here is the key point of disanalogy. the artist is expected to contribute to this process of automation with no expectation of compensation whatsoever, despite the fact that they continue to make contributions to the overall project of artificial intelligence
>The AI is non-deterministic, it simply takes all its past experiences, and then draws from them to produce whatever is queried, much like a person - it simply does it fasterwith that pointed out, we see that the saliency of the claim that ai is creative just like human artists starts to come into question. we can further expand the disanalogy from here:
1) (crucial) the ai is not a person whatsoever. it does not have autonomy. it can not set out to embark on its own projects. it is something that is owned by someone else. any attempts to try and compare it to a person are extremely dangerous, as they lend credit to attempts to lend these non-sapient machines personhood. this would be a tragic error, as it basically absolves the people who actually own and work on this technology from all liability. the ai is ultimately a prosthesis for entities that do have self-legislative capacities, and the real arena of contradiction has them as a main ingredient (and not the ai)… an artificial intelligence is not simply some self-sufficient entity, rather it is a project that is embarked by certain people using the information painstakingly fashioned by others. ultimately people need to stop thinking about the conflict here as between artists and ai as though ai has any autonomy or will of its own
2) this ai (partly as a symptom of it lack of genuine subjectivity) has poor generalization ability, and more crucially is unable to take up generalization as an undertaking (to
intentionally go out of one's way to make abstractions out of a certain manifold of phenomena, and to alter the parameters of this manifold) as opposed to merely a contingent artefact of its initial development. actual artists do not simply synthesize visual data, but they go out of they way to expand their understanding of the visual world around them, and moreover
make new visual inventions (e.g. styles and techniques)… like i said above, they problem solve on paper as they are working on whatever illustration or painting. generative ai is not only unable to do this, it is not even interested in doing this in the first place…
3) (more abstract and less important) when we talk about taking from past experiences, we are here assuming that the ai is in an ongoing development, which isn't the case with narrow ai after the training phase is complete, you are really just interfacing with a crystalline form after a reaction. it is more akin to an incarnated ideality really… i think it is important to see these models more as moments of some larger process rather than self-standing entities or whatnot
>the overall theme should be that ALL models , spec, and training data formats should be open source/librei am sorry, but how does this graduate beyond lifestylism? ah, while we are at it we should all just escape to the woods and live in a commune or something… i don't understand this open source culture thing, as it completely ignores the time and resources that is required in order to develop all of this software. you are hoping that the capriciousness of random devs working out of their good will or something can compete with a bunch of megacorporations… the tragic thing here is that with ai this ideal is even more unrealistic when we take into account, again, the economic value of data. how long are we just going to be able to run apis on various websites and scrape data out for free? reddit has already started shutting that stuff down. an extremely important thing about ai especially in its current form is that it is rather rigid, and we severely overestimate how powerful it really is. what is often elided are the ecological conditions that permit ai to thrive and the conditions of possibility for this technology to emerge in the first place. it needs a rather stable environment and it also needs a lot of data to be trained on. this technology is only possible with our very mature internet, and it just so happens the internet is highly centralized. so not only you have the issue of resources, but you also have companies that WILL (see again reddit, and rather annoyingly youtube with youtube-dl) go out of your way to slow down your progress
and i haven't even gotten to the question of what is the strategic meaning of all of this…? speaking of strategy, it is strange i always see people dreading the future of copyright laws, but i never see anyone bother reaching out to artists with a different solution to their concerns. there has barely even been an attempt, and instead they are just dismissed as luddites or landlords. of course, this is not wholly surprising as it is ultimately born from a deeper scorn for people who make art for a living (for whatever reason). we even see this tendency in this very post:
<but actually threatens their coding job or the already tenuous value of their liberal and/or fine arts degreesit's rlly silly. pls stop. don't even have much to add there, just felt the need to air that out
>>1639410>What have "anti-capitalists" said? Which ones?idk seems like he is just referencing like 1 or 2 people on /isg/ and siberia, because that is all i have seen