/anime/ - Anime

Let's not bullshit around. If you've been into anime long enough you've fallen in love with a fictional 2D guy, gal or nonbinary pal.
And you WILL tell me who it was and why, because that's the point of this thread. Go.

https://thecartdriver.wordpress.com/2020/02/14/psycho-pass-carole-and-tuesday-and-more-why-anime-features-anti-immigration-elections/

I see a lot of people like in the article’s author, especially leftists, talk about it, and honestly? I’m not seeing it, at all. Maybe because I haven’t been active in the anime fandom for a decade by now (last discourse I got caught up in was the dumb flame war over “elitists” vs “casuals” on MAL), or maybe because I only consoome old (read: 1990s, 2000s and early 2010s) media because I don’t like much of contemporary media, but can’t say with certainty, but I just don’t see it.

Sure, perhaps the proportion of Japanese creators being chuds increased in recent years, but I don’t see that being particularly well-reflected in the current output of the Japanese animation and comic industries. The political messaging of 20th century and early 2000s anime and manga seems to be same as 2020s anime and manga insofar that both are all over the place in equal amounts.

Among “chuddy” anime, I can only think of GATE (literal JSDF propaganda), HighSchool Of The Dead (zombie shounen ecchi horror with big tiddie girls made by a far-right mangaka who hates leftists, supports the JSDF, a gun nut, and hates Koreans), and Frieren (what with the genocided human-like predatory demons being portrayed in deterministic ways in spite of showing signs of actual sapience the story never addresses), but that’s about it.

As for manga, the best I can think of as of late is Drama Queen with many seeing the aliens as allegory for immigrants in Japan, although many can’t decide if they’re supposed to be stand-ins for American/Euro expats, tourists, East Asian renters, SEA and SA migrant workers, Kurdish refugees, or a pastiche of all of them. But that’s like an exception compared to the shit-ton of manga that pushes feminist, anti-racist and other socially progressive themes.

I think it has already been discussed before, but Japan being NPC-topia combined with how being a busherite is deemed as the most acceptable way to express oneself in Japanese politics as opposed to, say, being a Maoist might have a lot to do with why a lot of mangakas seem to be chuds, which is easy as the majority of Japanese people in general are disconnected iPost too long. Click here to view the full text.

gunsmith cats full anime on youtube
>In the dangerous suburbs of Chicago, skilled bounty hunters Irene "Rally" Vincent and "Minnie" May Hopkins run Gunsmith Cats, a firearms store of questionable legality. One day, Bill Collins, an agent for the Chicago branch of the Bureau of Alcohol, Tobacco, Firearms, and Explosives, blackmails Rally and May into working with him on a case. The stakes are high, but Rally’s gunmanship and May’s knowledge of explosives are unmatched. As Rally and May unravel the secrets of the case, the two will need to use guns and grenades while being faster, stronger, and better than everyone else in order to stay alive.

Is this type of attitude the reason why the Japanese are losing a lot of money to Korean and Chinese game developers? Manga sales are at record lows and yet in spite of this their zoomers double down on the chud maxxing thanks to electing in the idol anime conservative for president

was thinking about how ive never seen an anime with legitimately criminal protags. every "crime" anime either revolves around A. vigilantes or B. criminals targeting other criminals, aka its easily justifiable and theres no real dilemmas. no drug dealers, no robbers, no organ thieves etc
great pretender almost did this in the first episode with the protag being a legitimate convict who scams civilians. then they said "actually now he works for an informal looney tunes crime syndicate that somehow has hundreds of actors on their payroll and can do literally anything lmao" which was super lame

The Summer Hikaru died is so fucking funny for pulling a 180 on the gay stuff. How are they constantly no-homo-ing after Yoshiki fingerfucked his internal organs. The appeal of the early stuff is the mixture of the horror with the erotic, and once they decide to explicitly state it's not gay that appeal is completely lost, and they just oscillate between mid horror and subpar romance.

Another anime too good for BL reduced to le "queer themes". 🙄

Are there any animes about cold war you would recommend? It does not have to be %100 realistic. I just want your ideas. Which one will give the best experience? I would be very happy if you recommend one of them

women in western animation:
+ Allowed to be ugly;
+ Tastefully sexualized when appropriate (IMO);

• Not allowed to be stupid;
  
• Very oftenly "Mary Sues";
  
  
  

women in japanese animation:
+ Allowed to be stupid;
+ Are oftenly nuanced characters;

• Not allowed to be ugly;
  
• Frequently sexualized to an obnoxious extent;
  
  
  

THOUGHTS?!?!???!?!?!?!!???!?!??!!?!???!?!!

i cant watch anything anymore without being irrationally annoyed at how theatrical 99% of anime is. the dialogue, the action, etc makes me start imagining whatever nerd wrote it without experiencing anything even remotely similar.
gimme something real!!

I lurked across many anime forums, and at this point I don’t think there’s any interesting discourse to be had, leftist or rightist, regarding anime. Of course, due to Sturgeon’s law, few anime are actual gems. But that’s not the point. The point is that:

Is there any point in re-hashing the same old arguments.

Last time I remember, the only engaging discourses among weebs were about Frieren and Drama Queen, but for different reasons.

Frieren moreso for its depiction of demons and its comparisons to Tolkien’s orcs. For those who don’t know, a YouTuber named Lextorias made an hour-long video discussing the narrative problems with demons and the manga’s/anime’s inconsistent portrayal of demons as being absolutely evil, explaining via both in-story and authorial reasons for it, coming to the conclusion that Frieren’s demons are just a badly-written species. What was the reaction to it? Chuds coming out in defense of the series and attacking Lextorias with the kind of arguments he himself predicted and criticised in his own video: https://www.lextorias.com/references/frieren-dilemma/

Suffice to say, he singlehandedly managed to create an entire discourse that lasted for days in Twitter as culture war BS.

Coming up next is Drama Queen, a manga that is yet to be adapted into an anime, and highly unlikely. It’s about humans living alongside with aliens who saved them from an asteroid impact. It would’ve been another slice of life manga if it wasn’t for the fact that it caught weebs’ attention due to the MCs being sociopaths who hate the aliens and are contracted by a shady org that makes a profit off of killing the alien residents whose head is a dude with a double life as an “anti-racist” professor, with said aliens being pompous and arrogant foreigners who are taking up human life.
Long story short, people caught on it as a Japanese commentary on modern immigration to Japan with said aliens being allegory for immigrants. Which immigrants (white expats, Chinese house buyers, US troops, POC non-Japanese immigrants, etc…) is debated, but it’s clearly about immigration from a right-wing POV so far, although we’ll see how it goes since the story is still being published.

But yh, there’s no interesting discussion to be had as these themes have already been discussed to death on mainstream social media.

Post too long. Click here to view the full text.