>>708532>maybe but all the popular stuff todayI wasn't talking about popularity charts, I mean the field of composing has more theory and tools available to it than existed during the classics. Even that popular stuff is going to be more theoretically dense than a lot of the classics, even if the composer doesn't know it.
Take this for example: it's trying to sound like something old, but a lot of what it's doing jazzy and has mixing decisions that you'd notice if you tried to make a cover and have to reverse engineeer.
That's what I'm getting at: classical, and pretty much any music made at a known point in history, offers a peice made where the composer has never been exposed to what came after. Near guaranteed simplicity, rather than taking tricks you can pick up by ear for granted.