>>29576>>29577I don't understand why one of you is seething, and the other one is smug. I might have badly got my point across, I will admit it, but still, stop pretending AI is Thanatos for all artists. I hate this kind of masturbation over new tech, especially when it's owned and controlled by tech billionaires, you sound like OpenAI shills.
Yes, some people will lose their jobs or lucrative activity in the art world, I don't deny that.
You know what, it's nothing new, it already happened 20-30 years ago in a particular sector. You might have heard of Napster and P2P sharing, before Spotify was even a thing.
That's right, the music industry took a huge hit in the 2000s as the Internet became mainstream. Big record labels were already seething about cassette copying in the 1970s, but that was another new level. Metallica tried to sue Napster, but it was already too late, the Pandora box had already been opened by then.
Many record labels and record shops closed down, many musicians whined about getting poorer, the music industry took a huge hit.
Now, did people stop making music? No, if anything, more people are making music than ever before, because it's cheaper than ever, everyone and their mom have a Bandcamp or Soundcloud these days.
The music industry isn't making a ton of money like it used to, many musicians have to get a regular job like everybody else.
Good fucking riddance. The music industry was a vampire feeding on the blood of musicians, read The Problem with Music by Steve Albini to understand why:
https://thebaffler.com/salvos/the-problem-with-musicI'm completely okay with tech destroying jobs in the culture industry, because, it's the whole communist shtick: as tech reduce humans to a bunch of cogs in the machine, get more alienated, their class consciousness will eventually rise
or not.
There was an extremely interesting debate between Steve Albini and a very talented guitarist called Marc Ribot ten years ago or so about music piracy: Steve argued that piracy is good because it allows musicians to reach a wider audience, they don't need record labels and will make money by touring, and Marc Ribot argued that, instead of whining about piracy being bad, musicians should
unionize because music labels and companies like Spotify exploit them way too much. They were both right. Nothing of the sort would have happened if music piracy didn't exist. Their class consciousness as musicians rose because of the dire situation.
I'm less familiar with the visual art world, so I would appreciate if people might give me a better insight into this world, but my point is this: Artists won't stop creating art, even if the average exchange value of an art commodity gets close to $0. They won't. They will do it for their own enjoyment.
How many people draw stuff and spend money on specialized pens, brushes, pigments, tablets, etc. even if they don't make any money out of it? A fucking lot, because drawing and painting is fun.
The classic telltale about artists is the madman being poor as shit but still doing it even if they have no recognition from anyone. Artists are used to being poor, it's nothing new really, and I won't shed a single tear for the furry artists who will have to get a normal job like everyone else. They will need to fight against the capitalist system if they want more free time to draw furry shit.
AI isn't the end of art, it's just the end of one type of commoditization of art, and art is something beyond a mere bunch of commodities, it's something fundamental to the human experience, see the Lascaux cave paintings and so on.
Oh, and I can't wait for people to generate more and more shit with AI until they get tired of how slick and soulless it is, and start hating our Silicon Valley corporate overlords for it. Maybe they will start training AI models by themselves to make really weird fun shit with it, who knows?