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File: 1608528931817.jpg (506.09 KB, 1891x1057, Mellisa.jpg)

 No.2654[View All]

When I was a wee lad I read Katawa Shoujo and ended up really liking Emi. She hit all the right spots for me personality wise. I finished her route with the impression that she was supposed to be the token tomboy among the main girls. To my astonishment, when I went on the Katawa Shoujo forum I found out that other people did not consider her a tomboy. How? She's the athletic, bold, energetic girl who likes to play rough. Did I not just describe a tomboy? Is it because she doesn't "look" like a tomboy? Ridiculous. It was as if at some point I had been transported to bizarro world where the word tomboy had been hijacked by pathetic fetishists who now tied the word tomboy to physical appearance.

As the years went by I found myself highly attracted to 2D girls with varying types of what are culturally seen as masculine qualities. Like the aforementioned athletic, bold, energetic, likes to play rough but also aggressive, assertive, emotionally reserved, brash, vulgar, messy, short-tempered, rhetorical, analytical, philosophical, gluttonous, as lustful as a man and so on. In other words, women who behave like the worst and best of male cultural stereotypes. Do they "look" like tomboys? Some do. But even then I have nothing in common with the pathetic fetishists, the most egregious and possibly loudest of which circlejerk over 2D girls who only "look" like tomboys and otherwise do not deviate much from the assumed average girl who on top of that unironically fantasize about turning said "tomboy" into a traditional 1950s cooking, breeding and raising servant (read: wife).

Don't believe me? Give a definition for the word tomboy. Then objectively think of all the fictional girls who come to your mind that fit that definition. How many have you never thought of as tomboys?

It's not just the word tomboy that is being systematically destroyed by pathetic fetishists. The word gyaru did not simply refer to physical appearance alone, but a whole subculture. To be a gyaru it's not enough to dress the part, you also have to act the part else you're a poser right? That's how subcultures work. Gals are stereotypically vain, airheaded, trendy, extroverted, socially intelligent, gold diggers, Americaboos and so on. Today? Shy gyaru. Awkward gyaru. Recluse gyaru. Tomboy gyaru. Normal girl gyaru. Otaku gyaru. Of course a character turning out to be different from expectation is funny on the occasion, but when every gyaru is effectively a poser gyaru that's when you start getting mad. Hell, I've seen people start calling characters "gyaru" for simply having a shallow physical resemblance to gals (makeup, dark skin, blonde or pink hair, etc.) which is the very height of this fetish madness.

As the capitalist world crumbles, as escapism rapidly turns into fetishism, as words become nothing more than visual pornographic descriptors, voices like mine will remain to scream and shout at the dying light.
219 posts and 95 image replies omitted. Click reply to view.

 No.20707

Just finished watching the She-ra PoP Netflix show. Good/10

Are we currently in the Golden age of tomboy media?

 No.20709

>>20707
Personally I disliked the new She-Ra show for a variety of reasons mostly related to the modern identity politics in it and separately some of the poor animation, the overall bland pastel color scheme and some poor art-designs. Separately I'd also point out how the Adora/Catra relationship feels like poor fanfiction yuri shipping and a lot of its aspects are basically aped directly from Revolutionary Girl Utena. >>11364
That being said, compared to some truly shitty cartoons contemporary to it, it's okay-ish, not something I'd recommend, but okay.

>Are we currently in the Golden age of tomboy media

No, that was the 90s/2000s, however I think that, as of the 2020s, Tomboys are making a comeback as a sort of industry reaction to the poor reception of liberal idpol trying to replace both tomboys and normal feminine women by browbeating people with the shallow "yas kween slay" 'strong womyn' schtick that is evident in characters like Korra or Rey. People's lack of interest in media with that, has been losing companies money, so finally they're letting in people with better ideas and whose genuinel interest in creating actually interesting characters is getting a chance to shine again in the Western mainstream rather than just small indie companies or Japanese anime.

 No.20712

>tfw loading up /anime/ to read more tomboy theory before swapping to the /siberia/n muscle girl thread

 No.20713

>>20709
>Personally I disliked the new She-Ra show for a variety of reasons mostly related to the modern identity politics
I actually loved that it was first show that had unironic gay agenda. Every character is homo by default. And Catra/Adora relationship is great precisely because its like yuri fanfiction, give me more angsty love-hate.

 No.20714

>>20713
How is blatant liberalism good? It got in the way of the story/plot a lot, like it did with Korra, and just felt very immature. Thundercats 2011 at least managed to replicate teen angst without it being grating.
>Catra/Adora relationship is great precisely because its like yuri fanfiction, give me more angsty love-hate.
I found that annoying and frankly disrespectful, both to actual lesbians and the original material. It's yet another poorly done lesbian ship with stereotypes that just switches a female character into a male archetype relationship wise - a general trend for yuri-shipping - and if that's enough for lesbians, then boy that is a low set of self-esteem and standards, it's like Black people being happy that their representations are background characters subservient to others.
It is also parodical of the original material, which is inappropriate, given that the name is precisely the entire reason this was made - nostalgia bait for parents who were kids at the time of the original. The ship specifically is explicitly comparable to someone remaking Revolutionary Girl Utena but changing the main characters to be a straight relationship.

 No.20715

>>20713
Something I wish they explained was how Bow had two dads, ten brothers and sisters, but no mom. I be think Scorpia had two moms as well.

It's not really a problem since there's magic. Like, in Twelve Kingdoms sex doesn't make babies either since everyone comes from a magical tree. It would have been nice if they'd just explained it.

Anyway, I liked the Catra/Adora relationship. The payoff at the end was nice.

>>20714
>Disrespectful to the original 20 minute toy cartoon
lmao

 No.20718

>>20709
Yeah I agree, and that She-Ra cartoon was simply yet another pointless reboot/remake that no-one asked for because executives are too scared of losing money by making something original for the new generation.

Seriously we should be giving the new generation new stories and shows that are for them, not reheated 30-year old cultural leftovers made by narcissists being lead around the nose by cynical marketing teams and executives that only see profit to be made.

 No.20719

>>20715
>I wish they explained was how Bow had two dads, ten brothers and sisters, but no mom. I be think Scorpia had two moms as well.
That's easy, it's a caricaturesque idpol shove-in of; "you get 2 dads and you get 2 moms and you get a bunch of adopted siblings, because that's so diverse!" - i.e. lazy liberal projection. I liked Scorpia's design and some interactions, but Bow was just pathetic and lame.
>It's not really a problem since there's magic
<12 Kingdoms
12 Kingdoms is a hell of a lot better a story, and frankly speaking has the magical tree lore and magic system in general. That isn't the case for Eternia. She-Ra is kind of an outlier, being the child of a First Ones, but even that isn't very clear, as is the magic powers people have.
>I liked the Catra/Adora relationship. The payoff at the end was nice
I suppose it was cute, but frankly it was bland and uninspired to me, almost as done to death as the caricature of a caricaturesque hero saving and marrying the one-dimensional damsel in distress, I've seen it done better before, and unlike actual fanfiction, it's not something I can ignore for the sake of it being amateur writing.

>toy cartoon

And this isn't? That's a pointless criticism given that's prerogative of most Western and Japanese cartoons - to sell merchandise. The point is that if you want to make a yurifiction, just make that, as much as I dislike them, Owl House and similar productions are their own IP and can be whatever they want, but if you're using an existing IP and story, one that has heavy nostalgia and cultural impact, making what is essentially a completely different thing, then pulling on the skin-mask of the older show to get attention. Like I said, it's not the worst cartoon of its time, but there's a variety of factors to it that make me dislike it on both character and quality levels.

 No.20720

>>20718
>we should be giving the new generation new stories and shows that are for them, not reheated 30-year old cultural leftovers made by narcissists being lead around the nose by cynical marketing teams and executives that only see profit to be made.
In a sense it's typical Capitalism monopolization and exploitation - take a classic idea or story or media and wring it out until it no longer holds the interest of people, then move on to the next, with no care for long-term investment and risk-taking for the sake of preserving the good. Moreover they are creatively bankrupt and not only are scared of losing money by making original content but are largely correct to be afraid, as they are mostly incapable of creating something new that isn't trash or ideology-packed. Thus Star Wars 'Sequels' and MCU "Phase 4" and other nonsense. Even anime isn't getting left out of this, as a lot of it is now recycling older, successful ideas over and over again.

 No.20721

>>20720
Yeah it's bewildering how rarely this gets said. You know what's cool about a new original property? It doesn't have an existing fanbase that you can piss off. It doesn't have le problematic baggage from a Different Time where people's sensibilities were less critical. With something original you are free to make literally whatever you want (or what you think will sell or what the culture "needs" etc).

 No.20722

File: 1691780702915.png (360.7 KB, 640x480, Gwen Deadpan.png)

>>20721
Very much true, but on the other side this requires you to write and create a compelling new story, new art-design, new ideas and essentially be original, which is hard work and requires paying writers to come up with scripts and story-lines from scratch.
Moreover an established fanbase means you have an established audience to milk (never mind that alienating them from established IPs with bad story-telling and idpol is counterproductive to long-term profit).
Thus we remain at an impasse, where greedy corporate fucks meddle constantly in the process of writing and production for the sake of political pandering and hand-me-down diversity while strangling creativity that isn't an Indie project. They hoped to choke people into accepting their shit-sandwiches, but clearly this is failing to go through.

 No.20725

>>20719
I'm not gonna read all that but even if the new cartoon is just to sell toys it's embarrassingly autistic to complain about it being disrespectful to the source material.

 No.20726

File: 1691797165435.jpg (222.47 KB, 1024x1024, dp8uqsv7jjg71.jpg)

>>20725
>I Can't Read
That's barely a dozen sentences, either you're illiterate or have no retort except ad hominum. I stated that disrespecting an existing IP is just among the reasons it's link to She-Ra is a negative to the story.
I already linked a post about this but whatever: https://archive.is/FcAUc

 No.20729

>>20608
sorry it took long to respond [spoiler]i don't like this website[/spoiler] but essentially >>20612 this guy don't know what he's talking about. each decade of feminism essentially tries and fix the toxicity of the previous. the modern wave of feminism is a response to the gen-x/90s wave of feminism that tried to compete with men at their own game ie. being masculine and doing boy stuff. now and days it seems that feminism is embracing femininity saying it can be strong in it's own way. ie. girly, frilly, makeup stuff. this of course came with it's own toxicity; Mary Harrington has a good criticism of it. but what i'm focusing on is that is it can deprive women who want to be tomboy like. i'd argue that being a tomboy can be feminine in it's own way. the reason leftist are so critical of modern feminism, is that feminism isn't about class, it's not suppose to be. that's why you see people talking about more women CEOs, feminism is about working the current system. the modern feminist response to this is by making "women" a class, which is the biggest criticism I have. for one thing it undermines other issues of class by dividing the workers even more (it's like the industrial union debate), but the biggest flaw is again feminism isn't about class and when you try to create a women class the focus is at fault. i'll stop here because this is derailing.

 No.20731

File: 1691883064240.png (186.95 KB, 1197x751, ClipboardImage.png)

>>20729
This is derailing the thread at this point, so please take any more feminist dialogue to the /siberia/ thread on the topic.
>i don't like this website
Why do you come here then?
>this guy don't know what he's talking about
Sure bud
>each decade of feminism essentially tries and fix the toxicity of the previous
Liberal mythology. Each 'decade' or rather wave of feminism has not tried to fix the toxicity of the previous, just double down with a different sort of toxicity, this is exactly what people like Clara Zetkin predicted and why the USSR rejected feminism and instead promoted women's rights as part of the working class. The first Western feminists were bourg movements that only got headway for the same reason general workers rights were improved - the Soviet Union's emancipatory efforts in bringing literacy and rights to its working class, gave workers unions and labour movements incentive to protest and demand rights from their corporate overlords. Thus, had the social democrats not committed to welfare capitalism, the USA and other Western states would have faced a genuine socialist revolt. So porky changed tactics, embracing populist rhetoric, co-opting movements like 'feminism' and later through the CIA, creating and controlling these ideologies that divided the working class by identity, only granting rights in superficial terms, while pitting different groups of people against each other by supporting policies that negatively impacted one group of workers to marginally 'improve' the rights/status of others, be they women, African-Americans or anything else. This started off subtly, but at this point grown into full-blown reactionary politics under the guise of 'social justice'.
>the gen-x/90s wave of feminism that tried to compete with men at their own game ie. being masculine and doing boy stuff.
That's not how feminist 'waves' are divided. First Wave was the original suffragettes, which became active from the late 1910s into the 1950s, although their origins go back to the late 19th century with people like Victoria Woodhull. The Second Wave came in the 60s and went through the 90s, with the Third Wave beginning with the turn of the century up to today.
>now and days it seems that feminism is embracing femininity saying it can be strong in it's own way. ie. girly, frilly, makeup stuff.
That is almost entirely untrue. Modern 'feminism' has attacked both traditional femininity as 'patriarchally enforced' (even though it is a result of material dialectics and is entirely by choice) and attacked concepts like non-traditional femininity (tomboys and independent women) by purporting that women that prefer masculine roles are closeted trans and so "need to come out" which is ironic, considering their attitude towards 'misgendering'.
At this point feminist rhetoric is a shallow one dimensional concept of 'strong women' that act like the caricature of toxic masculinity/machoism they claim to fight against, and simultaneously reject any older forms of femininity - traditional or otherwise - in lieu of having an amorphous ideology of women replacing men in all regards.
I recently read a feminist news article where feminists were crowing about how Massachusetts has so many women and women of color leading the government and that it was 'over' for men. It'd be childishly silly, if it wasn't what burgers unironically see and support as an ideology.

TL;DR: Feminism has always been idpol, always will be idpol and identarian politics is the enemy of workers movements and socialism by default. If the Western feminists siding with the anti-Soviet Intervention of 1918 wasn't proof enough, then the major icons of modern feminist ideology (Herbert Marcuse, Gloria Steinem, Judith Butler etc.) being CIA assets makes the case rock solid. Feminism purports to fight toxicity, but is just as toxic if not more so than what it purports to fight, and you don't fight fire with fire, nor do you solve inherent systemic problems by 'fixing' the system.

Now again, take this to the idpol thread in /siberia/

 No.20732

>>20726
didn't read lol

 No.20925

File: 1692576492820.png (111.5 KB, 600x600, woob.png)

>>20679
>>8783
I LOVE RUBY

 No.20983

File: 1692951733300.png (88.63 KB, 761x597, kym.png)

Guy who only became attracted to tomboys in 2019.

 No.21816

File: 1697490931808.png (1.26 MB, 1271x1700, ClipboardImage.png)

>>20983
Who are you replying to?

 No.22412

File: 1701117940901.png (216.73 KB, 656x300, ClipboardImage.png)

>>20676
Translation here: https://rule34.xxx/index.php?page=post&s=view&id=7074562
Archive of R34 page: https://archive.ph/jzkhr
Archive of notes: https://archive.ph/9SD6Q

TL;DR: Aggressive playgirl lesbian delinquent preys on a cute girl only for it to be turned around on her by the secret futa.

 No.22413

File: 1701118247500.jfif (50.76 KB, 825x960, Tomboy Milf.jfif)

>>19787
Funny thing is her mom is an ideal tomboy too, literally being a delinquent girl (sukeban) in her past, being hot-tempered, fit, into pants and other casual attire while not bothering to be girly (like with her messy hair).

 No.22414

File: 1701118363971.png (169.05 KB, 582x492, Uchiha Ruby.png)

>>20925
WOOBY!

 No.22415

>>20722
>Very much true, but on the other side this requires you to write and create a compelling new story, new art-design, new ideas and essentially be original, which is hard work and requires paying writers to come up with scripts and story-lines from scratch.
Nah.
They already have to do all of this when they reboot an older IP, in order to update it and make it more modern or just different. It might cut out a bit of the design work with really early/top-level concept art, but it really doesn't save that much work. They have to come up with new designs for every character to fit a different art style and to be marketable with today's fashion sensibilities. The stories are also usually not just recycling the original, but more like fitting the IP's characters into whatever the current popular story format is.
>Moreover an established fanbase means you have an established audience to milk (never mind that alienating them from established IPs with bad story-telling and idpol is counterproductive to long-term profit).
Yeah that's the real reason they do it. Not to save labor on development and production, but on marketing and to exploit the name recognition and nostalgia that already exists.
>They hoped to choke people into accepting their shit-sandwiches, but clearly this is failing to go through.
This is a bigger problem than "forced diversity" or le woke SJW cartoons. Old media is just reaching the end-point where it's viable under capitalism. The studios are all Too Big To Fail but can't put out anything novel or decent because projects are too expensive now and if they're not a huge success they lose money. There just isn't that much surplus to extract any more.

 No.22418

File: 1701129863949.jpg (513.99 KB, 564x5890, original vs 2011.jpg)

>>22415
>They already have to do all of this when they reboot an older IP
Yes and No. Theoretically you can just take old scripts and story lines and just rewrite some dialogue or scenes, that's a lot easier than coming up with an original story. Hell, having established characters makes writing much easier, even if you discard most old story-lines. It's why fanfiction is frankly easier to write compared to original fiction, since some of the work is already done for you, no matter how AU you make the story. That being said, one can create something unique even within an old framework, Thundercats 2011 is a great example of this.
>in order to update it and make it more modern or just different.
Very little of that is necessary; from a business angle an established IP has plenty of storylines that require little change from how they were written decades ago, mostly because many older 70s-90s cartoons factored in being made for children and were carefully regulated and vetted to not promote harmful messaging (such as racism) or even promoted anti-prejudicial messaging. The question is whether the writers want to be more original and whether they're capable of being good writers to begin with. Even if you wanted a more diverse cast this can be written well, Static Shock and Extreme Ghostbusters are good examples of using diversity and even addressing diversity issues without being hamfisted libshit.
>They have to come up with new designs for every character
Again, with pre-established characters, adjusting and modernizing designs are much easier than coming up with something original from scratch.
>Not to save labor on development and production
It is also a factor, less labor needed means less money spent paying workers and fewer workers to pay (which is why Toon Boom format is so popular, like with Teen Titans Go or Thundercats Roar).
>This is a bigger problem than "forced diversity" or le woke SJW cartoons.
Both are problems and not dichotomous, the majority of people don't want radical liberal ideology beaten over their heads by corporations, especially in cartoons for children who aren't and shouldn't be involved in socio-politics.

Forced Diversity is a writing problem, it lends itself to poor story-telling and poor characters because the story and characterizations are tokenized. The forcing itself is a problem of socio-economics, where-in Late Stage Capitalism starts to lose cohesion in an oversaturated market and production quality declines, leading to declining consumption and demand, with large corporations doubling down on what they're doing even harder to make up for the decline in profits and accelerating the decline in long-term. When there's clearly unnecessary work being put in a reboot of an IP just to push ideological messages that corporations want but the audience does not, it's bad business strategy, as you're losing money investing into something that isn't bringing equivalent or superior returns. So either the need for profit will force out this ideological nonsense, or the company's will fall and bring down large portions of the economy because of them being "too big to fail".

 No.22419

WAKE UP GUYS, NEW TOMBOY THEORY DROPPED

 No.22426

>>22418
I wonder what happened to Thundercats 2011. The first episode was really good, then it immediately dropped off a fucking cliff.

 No.22427

>>22426
I actually enjoyed all of it as an atypical hero story. The real problem was that the second half never got made and so cut us off at the narrative low setting up the fight and eventual climax. As for why it was cancelled, unironically because Legend's of Chima was made and lego didn't want competition, and since Thundercats was placed in bad timeblocks, the viewer-count went down.

 No.22446

>>20712
are you me?

 No.22448

>>22446
I am you and you are me.

 No.22449

>>22448
WHOOOOAAAAAHOOOOOAAAAAAAAAAA

 No.23039

File: 1706729577317.png (493.84 KB, 640x480, ClipboardImage.png)

>>22448
Made me think of I Am The Walrus
>I am he as you are he as you are me
>And we are all together

 No.23047

>>20696
Is it just me or does Dsan have a similar style of illustrating bodies as some of Sulcate's earlier stuff?

 No.23296

>>19874
>>19872
>>19850
>>19793
>>19842
On the topic of Atlantis: The Lost Empire, the real Tomboy of the movie is Audrey Ramirez.
>A latina Master Mechanic that works on engines and heavy machinery, during an AU WW-1 time period
>Unafraid to fight or get dirty literally and figuratively
>Wears over-alls and isn't very girly in dress or behavior

https://atlantisthelostempire.fandom.com/wiki/Audrey_Ramirez

 No.23656

>>23296
boobs too big

 No.23660

>>10392
i miss Tashigi pre time-skip… they ruined her

 No.23662

File: 1710694081960.png (873.17 KB, 800x1000, ClipboardImage.png)

>>23660
Yeah, they made her a Nami Clone Post Timeskip, like with a lot of other characters.
I wrote a post about that a while back, on 8chan, gotta repost it in the >>1732 One Piece thread at some point.
The part where she mindswitched with Smoker was pretty funny TBH.

 No.23667

>>23662
they all evolve into Nami, just like crabs…
the mindswitch part was really funny indeed, Tashigi smoking and with a pissed face do be something

 No.23750

File: 1711380510674.jpg (347.87 KB, 724x1023, 87306055_p0_master1200.jpg)

>>2654
My humble contribution to the age old question
https://invidious.fdn.fr/watch?v=UW0NxIFweYs

 No.23751

>>23750
>Not uploading the video outright
For shame anon!

 No.23770

File: 1711408285386.png (987.01 KB, 1024x724, ClipboardImage.png)

>>23047
>>20696
It's not just you. Also Gairussian saboteurn's later stuff fits too, though it's harder to tell given how hyper he makes the tits and ass and balls. I think it's imitation of anime-manga doujin styles from the mid-2000s/early-2010s in terms of shape, detail, shading, shine etc.

 No.23771

>>2702
I fucking hate instagram so much you wouldn't believe it.

 No.23772

>>23750
wow. she is handsome

 No.23775

File: 1711429818409.jpg (98.72 KB, 800x1008, takebouzu.jpg)

>>23750
Oh my god muh dick.

 No.23779

>>23775
Jizzed in my pants.

 No.23780

File: 1711458664656.png (Spoiler Image, 683.43 KB, 1100x782, 5380cb20adbb127fabcf4beb33….png)

>>23751
My mistake anon, I just felt that without captions the video would be hard to follow. My love for tomboys far outstrips my technical capabilities and practice of english pronunciation.
Here it is in plain text form:

Prolegomena to the science of Tomboys

Human beings are naturally attracted to the energy and spirit of its peers, attempting thus to reunite what was separated in the time before time, the androgynous. Love, like art, is one of the many paths taken in this fundamental act of human self-realization, thus approaching the divine through the act of becoming one.

What is, now, a tomboy? We are here confronted by an archetype, concretized in the kaleidoscope of reality through each person's life experience and sensibility, of those who desire to freely express themselves to the fullest. These energies emanate from an originally feminine matrix, but can then germinate in any direction (similarly to a rhizome) disregarding norms, customs and social constraints that humankind has given itself in the scarcity of resources. This flourishing does not, however, imply an a priori rejection of those biological and anthropological elements that find themselves in harmony with one's idea of self-realization.

Ultimately we covet and long for such a fragment of humanity, crystallized by the term "tomboy", because we desire to be part of this great energy and merriment during our lives. The struggle for shaping a better world and to find one's identity is much lighter when we are not alone. The fact that I, perchance, desire to taste toned abs, biceps and thighs is merely coincidental.

 No.23781

uygha go outside

 No.23940

File: 1712607563364.png (583.95 KB, 1024x576, ClipboardImage.png)

Found a Visual Novel called Tomboy: Love in Hot Forge
The VN has you be a medieval guy, kicked out onto the street without money. A blacksmith tomboy, Bridgid invites you to spend the night at her house and from there your relationship continues. Obviously it's lewd, and it's a bit choppy, but I just thought I'd mention it.

Gameplay videos are locatable on pornhub
https://www.pornhub.com/view_video.php?viewkey=64f353be57132

A less lewd VN with a supposed tomboy is Tomboys Need Love Too! but I don't know much about it.
https://store.steampowered.com/app/628920/Tomboys_Need_Love_Too/

 No.23941

>>23940
>naked apron
sold

 No.24207


 No.24343

Although the show is far from perfect, I enjoyed it, reminding me of older, darker samurai media, and the main character is a total Tomboy. Episode 5 especially hit hard.


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