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/music/ - Music

"You may say I'm a larper but I'm not the only one. I hope some day you'll join us and the proletariat will be as one"
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What is 6 - 4?

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I'm here once again asking you for your music recommendations
what type of music? whatever you have but nothing too loud. ambient is ok but not too ambient
oh and albums rather than individual songs if possible



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Music Sauce Thread
Thread for locating sources on music, musicians, composers and other content.
If you can, use Use Shazam or MusicID to locate music by audio.
Also https://www.aha-music.com/identify-songs-music-recognition-online/
Use https://songsear.ch/ for lyrics
218 posts and 83 image replies omitted.

>>13198

I'm eternally retarded when it comes to using specific threads, thank you sir

Need sauce on file related. Can't find what remix of Jefferson Airplane this is.

Need sauce

Found sauce for that r63 vid

Need sauce on this sexy jazz



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Post chill house, dnb, and other electronic mood music.
63 posts and 1 image reply omitted.

not quite EDM but still chill

French Kiwi Juice Mix [110+ miuntes]

>>6829
Jungle classic.

>>13236
OP is remade now




 

I'm thinking we should do a vote for the official theme of leftypol. Once some suggestions come in somebody can make a strawpoll and we can vote on it.
Here's my submission:
Lenin is Young Again /The Battle is Going Again




>>13991
Or alternatively:




 

They glorify and revel in NazBol aesthetics, and never reveal if they're being ironic or not. Their members rarely, if ever, step out of character in public. And they went to perform in the DPRK as the first foreign band to visit there.
5 posts and 10 image replies omitted.

The Pyongyang concert

>>13811
>the world's most based band
>They glorify and revel in [anti-semitic red-brown alliance] aesthetics
I understand that woketards are cringe but do we really need to call reactionaries based just because they claim to be leftist?

I like this performance a lot because the song ("The State") is such a dissonant anxiety-producing thing with the sound of soldiers on the march, but they lean into it so much that it creates a kind of harmony. The images of both mass athletics in the Third Reich and mass labor production in socialist Yugoslavia is also interesting and I interpret the point here being ideological superstructures emerging from the material base. Mass production → mass ideologies.

>Despite the irony and critique, Laibach often leaves room for ambiguous hope. Their transformation of "I Want to Know What Love Is" into something distant might still suggest that even in a dehumanized world, there's a desire to rediscover love in its true form. In essence, Laibach's cover is both a critique and a meditation on the state of love in modern society. It's a call to question whether we've lost the essence of love amidst political manipulation and cultural decay, and whether it's possible to make love "great" in a world where everything is commodified.

>>13811
Seeing them in some weeks! :D
Heres the Liberation Day docco:
https://www.youtube.com/watch?v=Ywy5Ze4P1Wk



 

post jungle and drum and bass music. Anything from the 90s to today.
33 posts and 1 image reply omitted.



Tom & Jerry - Maximum Style





 

Okay leftypolcels, despite everything Caleb says about folk being American proletarian music, it was really blacks who invented American music as we know it. What was American music before jazz and the blues? Jazz is America's greatest contribution to high art, and without the blues there would be no rock and roll. As Abel Ferrara said about Jimmy Page, "Oh, yeah. I'll strangle that cocksucker Jimmy Page. As if every fucking lick that guy ever played didn't come off a Robert Johnson album." And then there's hip-hop and pop which are the two most recognizable American music genres worldwide. Hip hop is the music of the black urban proletariat, and modern pop evolved out of Motown.
12 posts and 7 image replies omitted.

>>14659
Barry White & Love Unlimited Orchestra - Love's Theme '74

https://patricerushen.com/full-length-bio
https://patricerushen.com/symphonicworks
>Multi-Grammy nominated artist, Patrice Rushen, is fashioning her career after the legacy of her long-time friend and mentor, Quincy Jones. Composer…Producer…International Recording Artist…Rushen has definitely earned the respect she has been awarded by her peers in the music industry.

>Admired by many for her groundbreaking achievements, Rushen has amassed an impressive list of “firsts”. She was the first woman to serve as Musical Director for the 46th, 47th & 48th Annual Grammy Awards, the first woman in 43 years to serve as Head Composer/Musical Director for television’s highest honor, the Emmy Awards and the first woman Musical Director of the NAACP Image Awards, an honor she held for 12 consecutive years. Rushen has also been the only woman Musical Director/Composer for the Peoples Choice Awards and HBO’s Comic Relief. She was the only woman Musical Director/Conductor/Arranger for a late-night television talk show. The show was The Midnight Hour, which aired on CBS. In addition, Rushen was named the Musical Director/Composer for Newsweek’s first American Achievement Awards, broadcast from the Kennedy Center and she served as the Musical Director for Janet Jackson’s World Tour, “janet.” As the Musical Director for the award shows, she composed and performed special musical tributes to Michael Landon, Ted Turner, Lucille Ball and Desi Arnaz, The Temptations, James Garner and Leonard Bernstein to name a few. Rushen was named Composer in Residence during the August 2004 sessions at the Henry Mancini Institute.


>A classically trained pianist, Rushen has spent a lifetime honing the skills that make her one of the music industry’s most versatile and sought after artists. In 1998, she was again honored by the music industry when her adult contemporary CD, “Signature”, received a Grammy nomination. The CD also received an NAACP Image Award nomination and also landed in the top ten of the adult contemporary jazz charts. The critically lauded, chart topping style she championed in the 70’s and 80’s — a jazz/R&B/pop fusion that combines melodic accessibility with instrumental prowess. This not onl
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>>14661
Her compositions and arrangements on her early pop songs was insane too.
>Patrice Rushen – lead vocals (1-3, 5-7), backing vocals (1-7), electric piano (1-3, 5-7), synth solo (1), percussion (1, 3, 5-7), acoustic piano (2, 4, 5, 7, 8), drums (3, 6), tambourine (4, 8), clavinet (6); horn, string and vocal arrangements

<I recommended Bill.
<“Is he white?” asked Miles.
<“Yeah,” I replied.
<“Does he wear glasses?”
<“Yeah.”
<“I know that motherfucker. I heard him at Birdland—he can play his ass off. Bring him over to the Colony in Brooklyn on Thursday night.”

<The club was in Bedford Stuyvesant, a neighborhood whites didn’t ordinarily enter. But George and Bill did, Bill sat in and got his white ass hired, and the classically-trained wimp became the pianist for the coolest jazz band in the world. Miles:


>When Bill Evans—we sometimes called him Moe—first got with the band, he was so quiet, man. One day, just to see what he could do, I told him [and you have to hear Miles’ raspy whisper to really appreciate this], “Bill, you know what you have to do, don’t you, to be in this band?”

>He looked at me all puzzled and shit and shook his head and said, “No, Miles, what do I have to do?”
>I said, “Bill, now you know we all brothers and shit and every­body’s in this thing together and so what I came up with for you is that you got to make it with everybody, you know what I mean? You got to fuck the band.” Now, I was kidding, but Bill was real serious, like Trane.
>He thought about it for about fifteen minutes and then came back and told me, “Miles, I thought about what you said and I just can’t do it, I just can’t do that. I’d like to please everyone and make every­one happy here, but I just can’t do that.”
>I looked at him and smiled and said, “My man!” And then he knew I was teasing.

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>>14663
https://www.allaboutjazz.com/bill-evans-on-meeting-miles-bill-evans-by-nenette-evans
>In fact, Bill did mention that the last time before this meeting that he had seen Miles was when they were both nominated for a Grammy. So that would have been in 1968.

>Miles was nominated for Miles Smiles and Bill for Further Conversations with Myself. The actual winner that night was Cannonball Adderley Quintet for Mercy, Mercy, Mercy.


>That night, Bill said that Miles had stormed out in a huff. Grammy awards can be touchy affairs.


>In the late '70s, Bill said that Miles was currently holed-up in his New York apartment with the covered windows. This was (drug) code for a certain level of paranoia, I guess.


>Bill told me that when they got there with his lady friend, the first thing Miles said to him was about the woman he was with was "Who's the Jew-bitch?" I really don't know what else may have been said at that meeting or don't recall. Bill seemed very glad to have seen him, I gathered.

<Bill was a very sensitive person, it didn’t take much to set him off.” - Miles Davis

>Miles was extremely cordial and happy to see us, I thought. I was surprised that his voice was so tiny; stature diminutive and skin desiccated, taut. To me, he appeared delicate, vulnerable. Whatever the mystique about Miles was, was lost on me, a non-jazz person per se.


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Explain this song dichromatically. Ain't this it? All you need implying all modern music. Ba duh duh duh duh duh duh good vibrations. The body was too short or too empty. The body was too short or too empty.

>>14153
Sorry, maybe deca, septuagint, who gives?

>>14153
You don't see many vibraphones any more



 

Anybody here play an instrument or have musical talent of some kind?
18 posts and 1 image reply omitted.

I mostly play guitar. I've got electrics, acoustics and a classical. Otherwise, I have and can play bass, piano and saxophone. Finally, I've got an accordion but haven't even tried playing it.

>>14623
this is real prole music

>>14627
You can hear the suffering of the proletariat in his voice.

>>1087
Nah I was too poor or volk to have fucking instrument lessons.




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ITT we talk about anything related to punk, hardcore, and any subgenres of punk and hardcore.
294 posts and 53 image replies omitted.

>>13987
infinitely based

Working Class

Haymaker

Haymaker - First to die

https://thehippiesnowwearblack.org.uk/2024/11/19/the-apostles-there-can-be-no-spectators/

The Apostles – There Can Be No Spectators

Full Album, please support.




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