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/music/ - Music

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File: 1608526223036.jpg (354.75 KB, 842x1200, retard.jpg)

 No.130[Reply][Last 50 Posts]

No boring ass woody Guthrie singing about how sad it to be from Oklahoma while strumming his guitar. I want synthesisers, fast rhythms, weird ass instruments you’ve never heard before. I want shit that would make you want to get up and dance in your local town square with other third world peasants.

Is its leftist? cool. Is its advocating for the genocide of some ethnic minority or the establishment of a global caliphate? I don’t give shit as long as the music is fire.
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>"马步芳抓壮丁" - Ma Bufang Conscripts the Young Men (Xibei San Ma Qinghai Folk Song)



Glory to the peoples struggles of western southeast Asia! The Tatmadaw must be smashed as well as the international capital that strengthens its reactionary junta!


Ain't Done Nothing If You Ain't Been Called A Red (Live / 1984)


Post the best dance performance you know of.
Or shall I say… second best 😎


that uygha is not dancing


I understand u are jelly you can't dance like that. Anyways, post a good dance clip if you know 1.





The dance is composed of two sequences.

The first sequence runs from 1:25 to 1:40 and can best be described as breakdance meets Jackie Chan. In 1999 the choreography of Rewind by Cylob posed a question. Ai Khodijah gives the answer.

The second sequence 2:50 to 3:20 starts as a fragment that seems to mirror the first, the two halves seem to come together in your mind; but just as they are about to make contact, the second half vibrates, accelerates, shatters and reassembles into something else entirely. Ai Khodijah makes a radical break with the semantics of dance and explodes into pure kinetic energy.

With the first sequence you worry that kids might hurt themselves trying to emulate this, with the second sequence you know nobody else than Ai Khodijah would even dream of trying. You wonder: Is this bit reversed, is this bit sped up, is this bit upside down, but what you see is really what is happening. It's a struggle to develop a vocabulary to describe it, the best I can do is: bees in a centrifuge. Ai Khodijah is a dangerous woman who could cut off your head just with her hands.

I'm torn. I want to show this to Blanca Li, but I don't want to give her depression. After this, what else can dance even do anymore.

File: 1623871463456.webm (5.23 MB, 480x360, 365.webm)


Post your vids and general kino
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File: 1636709756680.webm (4 MB, 854x480, 1634196734137.webm)





File: 1617339864213.mp4 (5.78 MB, 360x360, videoplayback (1).mp4)


Post Disco bros
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contort yourself like the damn MSM contorts the damn truth….



have you found your summertime love?

File: 1634164982499.png (573.89 KB, 427x500, ClipboardImage.png)

 No.3091[Reply][Last 50 Posts]

Music Sauce Thread
Thread for locating sources on music, musicians, composers and other content.
If you can, use Use Shazam or MusicID to locate music by audio.
Also https://www.aha-music.com/identify-songs-music-recognition-online/
Use https://songsear.ch/ for lyrics
154 posts and 47 image replies omitted. Click reply to view.


Maybe this one is the closest, but this is clipping.


What about remixes? There's a shitton of those.


Filename doesn't help, what song is this anons?


Hyper Ventilation by Radwimps
Album: Keitai Denwa
Release Date: 2010-06-30


Well it's been officially released by Casey Lee a few weeks back >>>/anime/20620


Post your favorite Folk-Punk
I'll start
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leaat 12 year old egoist


Like lost children we live our unfinished adventures.



File: 1693245190293.jpg (26.63 KB, 316x316, Revolutionary_Vol_1.jpg)


>put a fucking hammer & sickle on your album cover
>years later your name is synonymous with everything "old" "outdated" and "pretentious" and considered "white people hip-hop"

The secret meeting definitely happened.


no, kanye cornered the pseudo-political hiphop for conspiritards market


imo his songs in spanish are weird because it obviously isn't his first language. I like his song about 9/11 but not for political reasons, I just like it


> your name is synonymous with everything "old"
well, immortal technique is a 45 year old man for one, and second it applies to a bunch of old east coast rap too, wu-tang clan also has a "white people hip-hop" aura to it.


>years later your name is synonymous with everything "old" "outdated" and "pretentious" and considered "white people hip-hop"

according to who???


Am I crazy for thinking younger Gen Z's have way different music tastes? Alot of zoomer girls like nu-grunge/punk like Olivia Rodrigo, or jersey club, or straight up pop i.e. Taylor Swift, etc. or Kpop. I think Old Gen Z was the last generation that really liked hip hop.
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You didn't have to make a thread if you couldn't come up with a halfway decent topic


>kids these days are so weird because thwy dont like the same stuff i do

Here we go again. Millennials said the same about you back in 2015
Gen X said the same about millennials in 2005.


generational warfare is making me schizophrenic


>Zoomer chick grunge
I like it


toopoor is 30 so im pretty sure shes a millennial, but her fans are all zoomers

File: 1674307303567.jpg (112.18 KB, 300x300, Can_-_Tago_Mago.jpg)


I've seen this theory on 4/mu/ that krautrock was promoted by the British music press during the 70s to show the superiority of West Germany over East Germany, which is funny considering a lot of the bands were far-left themselves (CAN is an abbreviation for "communism, anarchism, nihilism").

What do you think about this?
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Mysticism says ‘everything that lives is holy’, so don’t walk on the grass and above all don’t harm a hair on the head of an imperialist.

It omits to mention that the cells on our bodies are dying daily, that life cannot flourish without death, that holiness disintegrates and vanishes with no trace when it is profaned, and that imperialism has to die so that the people can live.

Well, that’s about all I wish to say about Refrain.

To go into it in greater detail would simply invest the work with an importance that it doesn’t have.

No, my job is not to ‘sell’ you Refrain. I see my job as raising the level of consciousness in regard to cultural affairs.

At the outset I said Refrain is part of the cultural superstructure of imperialism.

These terms: ‘superstructure’, ‘imperialism’, require some explanation if the level of consciousness with regard to cultural affairs is to be raised, if we want to grasp the deeper roots of such surface phenomena as avant garde music.

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Lenin brings out the aggressive, militaristic, brutal character of imperialism in his 1920 preface to the pamphlet.

He says: ‘Capitalism has grown into a world system of colonial oppression and of the financial strangulation of the overwhelming majority of the population of the world by a handful of “advanced” countries.

And this “booty” is shared between two or three powerful world marauders armed to the teeth (America, Great Britain, Japan), who involve the whole world in their war over the sharing of their booty.’

‘One capitalist always kills many’.

Marx here graphically indicates the ruthlessness of economic development.

In the economic base this produces the contradiction between free competition (i.e. private enterprise) and monopoly capitalism.

How does this contradiction manifest itself in the superstructure?

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So we see Stockhausen adopting all the hallmarks of the genius of popular legend: arrogance, intractability, irrationality, unconventional appearance, egomania.

But all this is a small-scale operation compared with the tactics of the ruling class against the direct class enemy, the working class.

In this area we find tactics comparable to the ‘saturation bombing’ technique of the Americans in Vietnam.

There are two main lines of attack.

First wide-scale promotion of the image of bourgeois culture in its prime, the music of the classical and romantic composers (the whole education system is geared to this).

Second, the promotion of massproduced music for mass consumption.

Besides bringing in enormous profits, their hope is that this derivative music (film music, pop music, musical comedy, etc.) will serve for the ideological subjugation of the working class.

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The Nazi campaign against ‘degenerate’ art is viewed differently by different classes.

For the bourgeoisie, the main victims in this campaign were the bourgeois avantgardists: Klee, Kandinsky, Schonberg and others whose work did in fact reflect the ideological degeneration of the bourgeoisie into metaphysics.

From the proletarian point of view, the main victims were the Communist artists of the Weimar Republic: Georg Grosz, Käthe Kollwitz, Hanns Eisler, Bertold Brecht.

The German capitalists brought the fascists to power as a last resort, a desperate gamble to stave off collapse.

On the cultural front their attack was twopronged: on the one hand they suppressed the culture (the bourgeois avant garde) that reflected the bankruptcy and weakness of their own class, and on the other they suppressed the culture that reflected the growing consciousness and militancy of their enemy, the working class.

The antisemitic line of the campaign was just a red herring.

There was no need for the Nazis to ban Mahier’s works, for instance, but they did because he was a Jew.

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stockhausen is for new age nerds

real chads listen to boulez


Any mainstream pop music from any decade that you like, including remixes.
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i like it



i love this, never fails to lift me at least a little
helped get me through a gruelling hospital stay once


Slayyyter - Erotic Electronic

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