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/music/ - Music

"You may say I'm a larper but I'm not the only one. I hope some day you'll join us and the proletariat will be as one"
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What is 6 - 2?

Not reporting is bourgeois

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NOOOOOOOOOOOOO
5 posts omitted.

Why aren't we adding all music distributed by UMG to BDS? Lucian Grainge is a giant Zionist who donates millions to the IOF.

chat we lost kodak black
what's the move chat

>>13148
tbh If someone were to genuinely bring up Kodak being a zionist as sum gotcha I'd mention his rape case and say he'd fit in pretty well with the IDF

>>13147
Because that would entail boycotting like 2/3rds of all popular music plus a lot of music made by artists on indie labels who rely on UMG for distribution. No one is going to do that.

>tfw this page blocked me despite never having interacted with them



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Why is classic folk music portrayed as children’s music and seen as cringe? Oh Suzanna. She’ll be coming round the mountain. Basically anything Pete Seeger sung. Is it because music used to be a group thing everyone participated in and now it’s a commodity that only the “skilled” perform?

I never heard anyone say this.

I don't think it's so much a demand-for-skill thing, but a novelty thing. Classic folk is gentle and simple; musically and lyrically and conceptually, and doesn't scare the hoes like newer folk can–Andrew Jackson Jihad for example–but you get a little worn out on the same song after a while, especially when it's catchy (sticks in your head), and at least from my own childhood experience kids seem to get exposed to a pretty limited pallete of it leading to a bad impression of it.

Newer stuff incorperates a bit of modern musical techniques. Yeah it takes a bit more skill to play kinda, but it's jazzy (having been made during a time where jazz exists) and it's fun to hear something you haven't heard yet. I think you could still get a community to sing the newer folk stuff with a bit more patience.

White-guy-with-acoustic-guitar music was never supposed to be high art:

>>13139
It's old ass royalty free music that it's used in a lot of children's toys and cartoons, hence the association of it with kiddie stuff. Same with a lot of "cliche" classical music like Cancan, Fur Elise and Entrance of the Gladiators



 

brain when recognise multiple occurances of the same sequence of sound frequencies: 🌌✨🧠⚡🌟

Yeah pop music is extremely derivative partly because it tends to use a very limited part of the already pretty limited western scales.



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remember when phonk thumbnail have one of the most lust provoking bitches in their thumbnail? (say yes i know you know).

im searching for that one channel who have hot babes but also link the artist deviantart page. i don't remember if the girl are black and white or full color. can anyone here help me find the channel and artist im looking for? also, link other deviantart, pixif, youtube links and etc of other channel and artist that have those hot phonk women. also, is there any other IB's to ask about this? i'm thinking lainchan and whatever the current day equivelant of 420chan (that stoner ib) is.

Post it if you find it I'm intrigued



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Here it is: https://www.youtube.com/watch?v=hdBvAbB9kV4&ab_channel=WhinfpProductions

It's a bisexual Marxist-Leninist critique of capitalism, the political system, and the generation gap.

Well I'm glad we got another leftoid passing their hobby as communism.

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>>13117
Why are you posting on /leftypol/ if you aren't a leftist? I don't care. I'll still continue making my queer commie music.



 

what are some good EDM songs you'd recommend?


>>13115
ty anon, i will check it out :)



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A place to post your own songs or ask questions and discuss music making.

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https://www.youtube.com/watch?v=lHPpmvSpvFs

made this on bandlab :) advice would be nice i suppose, i'll try and leave feedback

https://www.youtube.com/watch?v=Wo9gog7jkWk

I have some detroit style trap here.. hope you ike!



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This is a very mainstream surface level metal band with pop music like sound and song structure. It’s not like the more extreme types of metal that break the traditional pop song structure and where you actually have to train your ears by listening to metal for a long time to appreciate it.

Of course the worst part about this band is the lyrical content. It’s very safe and politically correct. It doesn’t stray from the liberal worldview. Pretty much every song is about how the west are the good guys. They even have a song about the poor 9/11 victims and the evil Muslim terrorists. The few songs they have about the Soviets have lyrics in them about how Stalin is evil and communism is oppressive. Weird how none of the songs about america have obligatory lyrics shitting on the country.

All around dogshit band for people who don’t actually love metal and probably only listen to Metallica and Pantera.

>>7919

Also this: >>11647



 

Can someone who is a fan or something explain what this guy's fucking deal is? Why is he releasing albums on major labels while prancing around with Wolfsangels and other pseudo-swastikas?
People say it's all full of double meanings, but his music is so unpleasant to listen to, it's such a celebration of anti-intellectualism and being braindead that I end up too disgusted to even listen to it.
Before you immediately assume I'm not "in on it" I'm a big fan of Genocide Organ, who have a similar approach of using reactionary symbols as a weapon against reactionary ideology. When it comes to this guy, I mean, he's hanging out with Tom Metzger and Bob Heick. Stewart Home, who seems like a pretty cool guy, directly accused him of being a Nazi, in an article that is here but I have yet to read it
https://www.stewarthomesociety.org/wakeford2.htm
30 posts and 3 image replies omitted.


I liked this article from some years ago about navel-gazing "apoliteic music" and how that ties into post-war fascism. Like "oh boo hoo, woe is us, Evropa is lost, but maybe one day the phoenix will rise again…"

>Although fascism is an enfant terrible of the twentieth century, its socio-political lifespan is not bounded by ᴉuᴉlossnW’s and Hitler’s regimes. After the joint forces of the Soviet Union and the western liberal democracies had crushed fascism’s war machine, it was forced to evolve or, rather, mutate into three distinct forms. The groups that still wanted to participate in the political process had to dampen their revolutionary ardour rather dramatically and translate it ‘as far as possible into the language of liberal democracy’. This strategy gave birth to new radical right-wing parties that have become electorally successful in several countries over the last twenty-five years. Revolutionary ultra-nationalists, on the other hand, retreated to the margins of socio-political life and took the form of small groupuscules that kept alive ‘the illusory prospect of having a revolutionary impact on society’. The third form of post-war fascism was conceptualized in the teachings of two fascist philosophers, Armin Mohler and Julius Evola. In Die konservative Revolution in Deutschland 1918-1932, published in 1950, Mohler argued that, since fascist revolution was indefinitely postponed due to the political domination of liberal democracy, true ‘conservative revolutionaries’ found themselves in an ‘interregnum’ that would, however, spontaneously give way to the spiritual grandeur of national reawakening. This theme of right-wing ‘inner emigration’ was echoed by Evola in his Cavalcare la tigre (Ride the Tiger), published in 1961. Evola acknowledged that, while ‘the true State, the hierarchical and organic State’, lay in ruins, there was ‘no one party or movement with which one can unreservedly agree and for which one can fight with absolute devotion, in defence of some higher idea’. Thus, l’uomo differenziato should practise ‘disinterest, detachment from everything that today constitutes “politics”‘, and this was exactly the principle that Evola called ‘apoliteia’. While apoliteia does not necessarily imply abstention from socio-political activities, an apoliteic individual, an ‘aristocrat of the soul’ (to cite the subtitle of the English translation of Cavalcare la tigre), should always embody his ‘irrevocable intern
Post too long. Click here to view the full text.

Rice confirmed for Nazi apologist.

>>13082
>electronic music is very white just by its very nature
>non whites dont listen to electronic music
lol
this interview was in 1986 too

>>13089
lolwut



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