Another newfag thread. Interact with accordingly.
Their is, unsurprisingly, a large contingent of the worlds population, still hinging on old Red Scare propaganda, that are convinced of many lies about the relationship between socialism and artistic freedom. Too them, socialists are violent fearmongers who will, at the first chance given, desecrate art, destroy art, and attempt to lead a truly bleak life. One confined purely to the factory or work, where 'labor' is everything, where the individuality of life is wiped out in an instant. Of course, we all understand here that capitalism is the force that sucks up our individuality in favor of making productive workers. Art is not something that can be usually seriously pursued: gone are the days when feudal lords used to commission artists for year long paintings, sculptures, and portraits. We live in an atomized society.
That's not the point. What is the point is that to decide that socialism and art are inherently polar and incompatible is a brainwashed way of thinking. This is most often applied, arguably, to our conceptions of the Cultural Revolution in China. We all have heard about the four olds: Old Ideas, Old Culture, Old Customs, and Old Habits. And people who have even a surface level understanding hear alot about the destruction of cultural heritage during the 10 year period. Modern China even refers to the Cultural Revolution as "Shi nian haoji". "Shi nian" means 10 years, referring to the period of which the Cultural Revolution is generally regarded as lasting. "Haoji" is ambiguous, but generally can refer to the term "holocaust" in modern settings: destruction by fire. Images of a human horde (orientalist hogwash) destroying valuable historical pieces of art come to mind and are used today in the US to scare conservatives over the spectre of vague 'modern art'.
The accusation of destruction of culture and tradition during those 10 years, which i'll be examining, is incredibly overblown in face of the massive artistic achievements and leaps in cultural creativity during the event. An excerpt from "The Battle For Chinas Past: Mao and the Cultural Revolution", page 28.
>Take the example of the fine arts. During the Cultural Revolution years of 1972 to 1975 China held four national fine arts exhibitions, with more than 2,000 pieces of art selected from 12,800 works recommended from all over China. The exhibits in Beijing attracted an audienPost too long. Click here to view the full text.