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What can we really consider a "masterpiece?" And who's to define what is a masterpiece and what isn't? Moreover, how can we compare "masterpieces" of different art forms? I'm asking this since the only undisputed masterpieces in our society seem to be classical literature and classical music while everything else has to constantly prove itself to be as good as them. And when it comes to defining masterpieces in animation, let alone anime, instead of someone more professional like Roger Ebert or whatever we have some random YouTube essayists that gush about how this and that cartoon/anime is a "10/10 masterpiece." And when it comes to video games all we have are corporate journos giving 10/10 to games that become dated after 5 years. In the video game world what was considered a "masterpiece" before would be considered merely decent at best if it was published today. This is such a unique situation that literature never had to wrestle with (it's just letters on paper). And don't get me started on just how many of these "masterpieces" exist and how not every person may even vibe with the same type of game. Say, Mario 64 is considered a masterpiece. But I like Sonic Adventure. I like the sense of speed, I like the flow of movement, I like to go fast and never stop to take a breath. These are completely different feelings to those you get from playing SM64. Same for Super Meat Boy, another favorite of mine. It too makes you rush at a breakneck speed but it also punishes you for a slightest mistake which is very different from Sonic games which are very forgiving even compared to Mario games due to the ring system and the safety required to reach high speeds since Sonic is more physics-based.
9 posts and 1 image reply omitted.

>>45378
>Take out the dream element out of the movie whose whole selling point is exploring the dream world and Inception can still work
You understand that is not a positive, right? They wasted an interesting premise to make a generic action movie.

>What YOU are asking for on the other hand is the same Marvel-esque "muh beautiful CGI"

Really? Am I asking for that? Could you point to me where I ask for such thing? It really shows what kind of people Nolan fanboys are, I criticize the movie for lack of creativity, and all you can conceive as an alternative is Marvel.

>>45379
>You understand that is not a positive, right? They wasted an interesting premise to make a generic action movie.
A good story is a good story regardless of setting. A good story is timeless and doesn't require the specificity of a locked in setting or universe in order to be interesting.
See: Stark vs Lannister in GOT working but Dany and Dragons and White Walkers being dumb boring cgi slop. Or anime slopfest that prides itself in being incoherent.
>Really? Am I asking for that?
Prove it then and write a post explaining what you mean by "creative" because every time I've heard this complaint it's some retard who wants more spectacle that doesn't add anything to the story. Yeah I'm sure they could create a dream with aliens in it that would be more "creative" doesn't meant that it's not a retarded idea.

>>45393
>A good story is a good story regardless of setting. A good story is timeless and doesn't require the specificity of a locked in setting or universe in order to be interesting.
Yes it fucking does, if the setting is actually utilized in it. You cant strip LOTR of fantasy, you couldnt make Jurasic Park without the dinosaurs, or to give an example of another Nolan movie, Interstellar had to be in space, because the setting is core part of the movie.

By creative I mean exploring the human psyche, the unconscious mind, desires and anxieties. World unbount by reality principle. Seriously, do you have many CGI battles in dreams?

>>45345
And the thing is the moment it becomes acceptable to hate something, everybody jumps on the bandwagon and attacks the work and the individual with the most nonsensical criticisms imaginable.

As many people often say we live in a society where you are expected to be always positive and not be “too” negative or you will be criticised as illogical or too aggressive, until it is fine to be angry at some specific thing and only then you can be angry and even illogical.


This hyper positive criticism/mild criticism is a new thing in my opinion, a decade ago it was perfectly normal for youtubers to have entire brands built around aimlessly shitting on movies, games etc. I think it kind of started with the new generation of critics who have been extremely toothless and mild with their criticism and thus normalised this kind of behaviour.

>>45474
I think the dynamics have shifted. AVGN made his brand based off hating games that were objectively shitty and/or frustrating, without the expectations of it being a serious critique or that the video being on product beyond itself. Now the expectation has shifted towards more in depth critique, but also the channel brand is supposed to be a vehicle for the artist. You want to get plugs and special access and corpo bennies and shit for your work, and you don't get that by shitting on their products.

TBH it's probably an effort on YouTube's part too to promote content that doesn't alienate their corporate neighbors by trashing their products, just like their other censorship.



File: 1743011646392.jpg (Spoiler Image,203.84 KB, 1920x1080, qBe8PYTCTbFzZNE9NiWCWH.jpg)

 

i was doing the laundry yesterday and wondered: is "how to fold clothes a solved problem?"

at its core, the most efficient fold for any piece of laundry should be able to be identified by optimizing for stability and shape: you want folded clothes to stay folded, and ideally any item would fold to the same or similar shape to allow efficient packing for storage

when folding, i notice that the first step of any item is to get it to a regular shape: typically a rectangle. for a T-shirt, fold the sleeves in and fold the sides together either by halves or thirds, then fold the top to bottom. from here, there's some variation: if the fabric is thin enough, fold it again into thirds, or if it's too thick, fold it in half or leave it as it is

with larger items like sheets and towels the goal is the same, but you are already starting with the regular shape. reduce its longest dimension by half, repeat until you're done

challenges arise when fabric is thicker, or even for tshirts. some optimizations for folding a shirt include offsetting hems when folded by him width to reduce bulk, folding with "flex area" along the folds

it seems like mathematically, we could identify the optimal folding strategy for any one article. has that been done? can we prove that the folding strategy employed by the kondo method is any better/worse than any other strategy?
2 posts omitted.

>>45465
well when you put it like that…

really it's more of a "for a task i will literally have to do for the rest of my life, how can i extend the least amount of energy on it while still having nicely folded clothes"

>>45466
even underwear?

>>45467
>even underwear?
no but my drawer is deep enough to fit them without folding.

>>45467
You can do other things while you do laundry, and other similar chores you know. Like listen to a podcast or whatever. If it's really that big of a deal you are probably better off optimizing by doing laundry less often, like wearing an article of clothing more than once until it's actually dirty, that way you can reduce the frequency of doing laundry.

>>45469
like what? folding takes two hands

I make my mother wash my clothes



 

Been bingeing a few of these. Most are extremely low effort, and it's overall a bit of a forced subgenre, but some stuff can be genuinely spooky.
89 posts and 62 image replies omitted.

>>40839
The picture of the boiled one next to the house really fucked me up, though. And my lizard brain still gets fucked up by the cheesy concept of cognitohazards. There's some good stuff in there messed up by a flawed overall structure.

>>40830
i mean, the art is really good, it's just not unsettling or even scary. analog horror focusing too much in religious stuff kinda wash away the horror it could be (but idk, horror in video format is a bit "dull" – unless you count jumpscare as horror)

>>40858
Analog horror is kind of defined a lot by visual elements. But yeah, the people that make them need to learn how to do horror narratives better. Read some books, maybe.





 

Wanted to ask on both /games/ and /anime/ but I think this is too niche of a theme to have many examples only from one art form.

I was thinking a lot about whether or not art should be politicized for a long time. And while I think anti-capitalism and progressive pandering in modern pop culture are indeed shallow there are certain works which reinforce anti-capitalism with their sheer depressing worldbuilding (even if many of their authors aren't leftist). The examples of this are:
>Deus Ex
>American Psycho
>Disco Elysium
>Joker
These works are not necessarily cyberpunk (they don't have to be) but they are pessimistic. They aren't about opposition to the state either so 1984 doesn't count at all. They are very immersive and can be quite trippy, even artsy. Their narrative can be sometimes confusing, even repetitive (with Bateman literally describing every commodity he sees in American Psycho). I want this trippy, immersive experience. I want to see more of it.

Write down your recommendations.
12 posts and 1 image reply omitted.

and it is deeply anticapitalist btw, it is adorno in movie format

>>44097
I mean, I got your point, They Live is shilled quite a lot. Though since people were recommending all the popular stuff and I listed the popular stuff too then it's kinda funny noone suggested They Live as well. And I also forgot to add it as an example in the OP so that's why I mentioned it.

That said, someone suggesting The Matrix would be really weird imho.

>>44098
What are you referring to?

File: 1731537320175.mp4 (35.02 MB, 1920x866, ee9889.mp4)


Dossier 51



 

Ancient History and Lost Civilisation Enjoyer Thread #3

>Previous threads:

https://archive.is/niXSf

https://web.archive.org/web/20230326214826/https://leftypol.org/siberia/res/384126.html

<Confirming the age of ancient footprints


>For their follow-up study, the researchers focused on radiocarbon dating of conifer pollen, because it comes from a terrestrial plant and avoids the issues that can arise when dating aquatic plants such as Ruppia, according to the news release.


>The scientists were able to isolate some 75,000 grains of pollen, collected from the exact same layers as the original seeds, for each sample. Thousands of grains are required to achieve the mass necessary for a single radiocarbon measurement. The pollen age matched that found for the seeds.


>The team also used a dating technique known as optically stimulated luminescence, which determines the last time quartz grains in the fossil sediment were exposed to sunlight. This method suggested that the quartz had a minimum age of 21,500 years.


Post too long. Click here to view the full text.
177 posts and 39 image replies omitted.

>>40979
What are you talking about? The overall point of "there are older cultures we haven't found yet" or "ancient peoples were more advanced than we give them credit for" are pretty mainstream. Some of the more marginal and less important claims that Hancock reports are also seeing more evidence pointing towards them, like that crater found under the Hiawatha glacier or the South American crop residue found on Rapa Nui.

>>40963
>The Holodomor being a myth is academic consensu

Leftypedia does not agree with that

>>40982
>In the early 1930s a series of food crises affected major agricultural countries,[4] the one in the UkSSR being an outright famine:

>[…] the USSR experienced an unusual environmental disaster in 1932: extremely wet and humid weather that gave rise to severe plant disease infestations, especially rust. Ukraine had double or triple the normal rainfall in 1932. Both the weather conditions and the rust spread from Eastern Europe, as plant pathologists at the time documented. Soviet plant pathologists in particular estimated that rust and other fungal diseases reduced the potential harvest in 1932 by almost nine million tons, which is the largest documented harvest loss from any single cause in Soviet history.


>— Mark Tauger, [5]

This was followed by severe drought.

>Anticommunist sabotage also had an influence.[6][7] While collectivization might have influenced the famine, its extent remains disputed, but is likely that inappropriate procurement targets also contributed to the crisis.


>The Soviets responded to the famine by sending food aid and reducing food quotas and food exports.[8][9][10][11] Despite their efforts, modern analysis indicates that 1.8–2.5 million people still perished, which corresponds to the Soviet estimate of 2.4 million.[12]


https://wiki.leftypol.org/wiki/Famines_in_the_Soviet_Union

Bumping with new DeDunking about the statues with the navel holding pose. Appropriate for a thread that hasn't been bumped for 9 months lol.

>>40982
Leftypedia is run by glowies and feds.



File: 1741460700582.png (132.41 KB, 402x225, justice_lords.png)

 

Rewatching the cartoon of my childhood - Justice League.
>In the alternate reality, Lex Luthor is elected as US President, kills Flash, and threatens to start a nuclear war.
>Alternate Superman is pushed over the edge, assasinates Luthor, and together with his comrades violently takes over USA (and implicitly, entire world).
>From what little we saw about this alternate reality, it had turned into Georgeorwell1984 police state, but crime (both ordinary and superhuman) was eradicated and it's implied all wars had stopped.
>"Justice Lords" find a way to travel between realities and lure the Justice League from the "prime" universe into their one and capture them, then move on to taking over the "prime" universe as well
>Justice League escapes the Justice Lords' universe and returns home
>Superman STRIKES A DEAL WITH PRIME UNIVERSE'S LUTHOR by organising his pardon from all his previous crimes in exchange for a weapon that defeats all of Justice Lords at once
>The episode ends with Superman picking up the fallen American flag, symbolising that "democracy" had won
>LITERALLY the next episode immediatedly begins with the scene of a squad of American soldiers chasing an unspecified "warlord" in an unspecified Middle Eastern country

Are you fucking kidding me, writers? ARE YOU FUCKING KIDDING ME?

Reality is this point is more ridiculous than this tbh.



File: 1739255147896.jpeg (127.75 KB, 1920x1080, IMG_0162.jpeg)

 

What’s do communists think of the Matrix? Is it an inevitable conclusion of capitalism? Do we live in the Matrix today? Is it just reactionary slop or revolutionary material? Discuss all things matrix and cyber communism
75 posts and 13 image replies omitted.

The Matrix is just a RATM music video.

File: 1740990589207.png (195.68 KB, 1993x1755, ClipboardImage.png)


>>45332
I hate this fucking world

>>45332
>>45333
It's just a content warning, you infants. Peertube does that too I'm pretty sure.

Considering that all current AI methods even the most advanced ones stay completely depended on human generated data, like for example how machine translation is at the end still dependent on the continuous data generated by human translators for training and verification the part of the machines not being able to shake their dependence on human cognition for their own cognitive processes becomes even more of a visionary motif. A shame they didn't go with that.



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File: 1741053548531-4.mp4 (1.26 MB, 650x480, mymybirthday.mp4)

 

Marxism-Leninism-Mymyism is the way.
Say happy birthday to her. I like Ongezellig's references to past Studio Massa works, and I find Massa's love of Dutch history fun.
>The body was too short and empty

File: 1741087260524-1.png (2.27 MB, 1920x1080, billboard mymy.png)

File: 1741087260524-2.jpg (107.14 KB, 802x648, mymy_implying.jpg)

contributing some mymys I had on hand

of all the niche webseries out there why did zellig have to be the one soytards latched onto

orange
not white

File: 1741119429320.jpg (76.13 KB, 440x530, mymy_c:.jpg)

>>45347
she's not even a natural orange

she loves netherlands so much, she turned herslef into a fuckin orange



File: 1608525657722.jpg (Spoiler Image,144.41 KB, 824x1334, start to finish.jpg)

 

Thread for discussing ATLA and LoK or rather analyzing both, appreciating the effort of creating the former and shitting on the lazy liberalism of the latter
594 posts and 281 image replies omitted.

You know, after watching a lot of ATLA I kinda understand why it's a kids' show. There are a lot of juvenile jokes and the characters bluntly stating the moral of the episode. It's something that I notice in shonen series too, which really makes me drift away into seinen since it really makes me roll my eyes.

Also, the way they made Zuko flip-flop and betray his uncle is just a mess. He was clearly changing but it seems Mako's death really screwed with the plot the writers were cooking up so the best solution they made is to roll him back to the beginning and then build his character development back up again. Were they afraid to kill Iroh? Couldn't they just make it so it's Azula who is the one who imprisoned Iroh and it's Zuko who tries to help him break free when nobody sees him instead of, you know, lashing out on his uncle for no fucking reason?

>>4384
>"culturally appropriate"
>just random East-Asian-looking people
These Asians are all the same, amirite guys?

>>45316 (me)
I also feel like the show plays it too safe for my liking, like being afraid of killing off major characters or traumatizing comic relief characters like Ty Lee, and the conflicts resolve too quickly sometimes. This show has many trappings of other kids shows, I don't understand why it's considered the greatest show ever. Like, Sonic Forces is mocked for constantly reminding you about the power of friendship but aren't ATLA's characters just outright stating the moral of the episode just as blunt and unsubtle? I dunno, maybe I'm not understanding something. It's like after I've watched Gurren Lagann. Everyone kept saying it is the greatest show ever but I was just like: "Eh."

>>45316
Tbh a lot of adults badly need the moral of the story to be bluntly stated these days.

Zuko backsliding is fair IMO. He'd been away from his family a long time and with the possibility of getting back in his father's good graces it's somewhat understandable he'd go that direction. The conflict is also foreshadowed earlier in scenes with Iroh (vid related) so the idea that they changed this to deal with Mako's death doesn't seem likely.

>>45336
>I also feel like the show plays it too safe for my liking
That's a studio decision for the most part. Which doesn't change the end product but it's less "playing it safe" and more working within certain limits. Jet's death in particular screams that the studio wouldn't let them be more explicit.
>This show has many trappings of other kids shows, I don't understand why it's considered the greatest show ever.
That's because of other things in the show, like the character arcs and world building, not because it lacks characteristically kid-friendly elements. Good show isn't synonymous with "not for kids."

>>45337
>Tbh a lot of adults badly need the moral of the story to be bluntly stated these days.
Well, maybe these adults need to
grow up.
>with the possibility of getting back in his father's good graces
It would have been nice and dandy if he didn't collaborate in imprisoning his own uncle whom he supposedly loves and then actively berate him while visiting him in prison. It's clear they either needed an excuse for Iroh to be silent as they search for a new actor or for Zuko to return to the fire nation.
>Good show isn't synonymous with "not for kids."
Neither is it synonymous with "for kids." The typical cliches and limitations of kids' shows may negatively affect the plot too. When it comes to adult animation at least it doesn't have imposed limits (even though often the kinds of shows which get greenlit in America are crass comedies). And I'm not even talking about web animation 'cause there the sky's the limit, you can literally draw whatever tf you want. As you watch more and more shonen however you kinda start understanding the complaints of the seinen crowd, even though enjoyable shonen do exist despite all the cliches and pandering inherent to the demographic.



 

So many fabulous and easily maintained buildings have been demolished because of short-sightedness. We shouldn't be vandals of architecture. We should preserve the Penn stations and the Russian cathedrals of the world, and not just demolish our monuments.

We should rebuild some of them as well. People don't just have utilitarian needs and need a "spiritual" or imaginative side which is opposed to efficiency but which startles you.
https://youtu.be/09gsVlroH3A
78 posts and 31 image replies omitted.

>>4652
The thing unspoken about "muh architecture" is that people obsess about what the building looks like on the outside.
What about the INSIDE? How useful is the building for its intended purpose? How do the people who use the building feel about it? If a building looks plain on the outside but has a high efficiency and quality of life on the inside, that's good. We shouldn't get too tied up in impractical aesthetics, that's reactionary.
I can't help but be reminded of liberals who whine about apartment complexes being ugly and then complain about homeless camps in the same breath.

>>45291
Most people think about the outsides of buildings because that's the part they see. I'd be willing to bet money that, on average, people only enter 1% of the buildings they look at. And from that perspective, it makes sense to want the outside to look good.

Architecture people will fucking hate me for this, but I really do think Vegas casinos have the right idea; start with a raw functional box that's been designed from the inside out for function, and then add a decorative facade and roofline. Yeah yeah it's "tacky", but people clearly like it, and it does what it needs to in terms of utility,

>>4653
Why shouldn’t proles enjoy architecture that was once reserved to to upper classes only? The aristocracy and bourgeoisie are human with human tastes, what looks beautiful to their eyes and the comfort they enjoyed should be accessible to proles, including their mansions. Tearing architecture to replace ugly things just makes the movement like spiteful contrarians that doesn’t even understand that everything Marx and Engeld wrote about was about a historical process that could be forced earlier to achieve a new means of production earlier instead of waiting and suffering through centuries of capitalist exploitation.
In the samr way the Pyramids shouldn’t be torn so shouldn’t bourgeoisie villas be torn down. It should be conserved so that future generations will be able to learn and understand, for some day full communism will be achieved, and after that another newer means of production will arrive, so alien to us as the industrialization is alien to the slave based economies of the Bronze Age.

Don’t destroy that shit, retard.

All idiots worshipping brutalism outside of monuments are Americans from suburbs that don’t understand that all those concrete blocks were only supposed to be a temporary solution for home shortages after WW2 and they were planned to be torn down and replaced after about three to four decades, but then the Warsaw Pact collapsed.
It wasn’t planned to be ugly to make a fart huffing statement, it was kept totally utilitarian and plain to make it as cheap as possible. Communism isn’t about living in grey concret boxes like bees, and if you think thats an “aesthetic” then you should kys or read the book (because I can tell that you didn’t).

>>4701
>A classic kind of brutality.

No, video is actual classic brutality.



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