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 No.7554[Reply][Last 50 Posts]

So my grandma lived in Lithuania back when it was an SSR (She says she was born right after ww2 for reference) and she liked the movies there, from what I can gather they were family friendly affairs similar to the first pirates of the carribean in tone, any comments and maybe recomendations for old soviete media?
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Chippolino is a classic that leftypol neglects


>Сказки для детей - Чиполлино

>The Mystery of the Third Planet (1981) Soviet Sci-Fi Animation with English and Russian subtitles

Armenfilm - Sahakyants
>Все хорошо/ Everything is fine (1991)


are you implying cops are bunch a dickheaded pigs? imagine my SHAWK. Just use this as ammo when debating libs and point out how soviet animation in the 20th century was more critical of policing than most american media is now when some dipshit lib is like "but le ebil soviets killed anyone who diagreed".


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cartoon lacks red flag march



Worth a watch, very interesting and well made.


&ltthe Art Deco enthusiast, like the devotee of Expressionism, is by that interest making a statement about the nature of his or her soul. He or she is impatient with surface images, bored with frippery, and drawn by the weird and the outré. Art Deco portrays the human being as one secretly wishes to be: a kind of _Metropolis_ robot[rix] with a dispassionate, cool, and cruel disposition. Art Deco is never warm, cozy, reassuring; it is glacial and impersonal. Those fearful of, dissatisfied with, or contemptuous of human emotions seek in Art Deco a mirror which will show them - and reinforce in them - only the non-human aspects of their souls.

Post pics of your favourite pieces of art deco.
Pic related: Hoover building, A40 (Western Avenue), London, England.
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a better question is: Is art Deco bourgeois?



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It is bourgeois. But is it any good? That's another question. the better question depends on whether you're looking at it from the viewpoint of hobbyist, or from that of a town planner, in my view.


The quintessential art deco skyscraper.


No I do not believe so. Art Deco was an aesthetic exploited by the bourgeoisie but I do not believe it arose from that, as it impacted architecture and urban planning in ways that ignored class divides, although obviously the most grandiose examples belonged to the rich, since they had more money to throw away for vanity projects and additions.


How based was this show? And, do you have faith that the reboot will do any justice to the previous seasons?
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Based Ruckus


It's so funny/sad seeing all the dumbfuck retarded Americans on /co/ still cope to this day that McGruder isn't leftist despite being a card-carrying socialist and, well, literally everything about the show and comic…


Man I remember that event, it was so fucking funny.

>Alterman walked out. “I turned to Joe and said, ‘I can’t listen to this crap anymore,’” he remembers. “I went out into the Metropolitan Club lobby—it’s a nice lobby—and I worked on my manuscript.”

>Newfield joined in the heckling, as did Stephen Cohen, a historian and the husband of Katrina vanden Heuvel. “It was like watching LeRoi Jones try to Mau-Mau a guilty white liberal in the sixties,” Newfield says. “It was out of a time warp. Who is he to insult people who have been putting their careers and lives on the line for equal rights since before he was born?”

>By the time McGruder had finished, and a tipsy Joe Wilson took the microphone to deliver his New Year’s Resolutions, perhaps half the guests had excused themselves to join Alterman in the lobby. A Nation contributor estimated that McGruder had offended eighty per cent of the audience. “Some people still haven’t recovered,” he said, sounding thrilled.

>“At a certain point, I just got the uncomfortable feeling that this was a bunch of people who were feeling a little too good about themselves,” McGruder said afterward. “These are the big, rich white leftists who are going to carry the fight to George Bush, and the best they can do is blame Nader?”

McGruder rocks.


>the reboot
Didn't it get cancelled?



What's preventing you from riding motorcycles, Anons?
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>What's preventing you from riding motorcycles, Anons?
The giant fucking nail I pulled out of my rear tyre yesterday
HD? Fortnine made a good video about them a few years back. They've fucked themselves by not appealing to younger riders - one of their growth markets these days is trikes, because all the fat old men who used to buy cruisers are too old and fat to handle a bike that big. No young people can afford new Harleys, either - mind you, most young people also can't afford Japanese bikes.

Only manufacturer I see with electric bikes in dealerships in the UK is Zero. I heard years ago that KTM were experimenting with an electric Duke, but it obviously never made it into production. I think Royal Enfield might be getting into electric bikes at some point in the future as well, and they could beat the Japanese to it.


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I've been into these aesthetically but are they viable for everyday use in the city?
Feels like the only "moto culture" around most parts is just a copypaste of 50s American bikers and 60s brit rockers.


This, except I don't own an e-Bike.


I use a Bullet 350 for my daily commute. The safety concerns are there, especially given how little civic sense and disregard for safety and traffic rules my fellow countrymen have, on top of the absolutely dismal state of our roads. I had to spend an absolute fuck ton on safety gear, which I wear all the time I ride despite people sneering at me. Honestly, it's better than being literally stuffed in a bus/local train for over an hour two times a day.


My dad had a Bullet 500 Electra X for many years. Riding it was bit like riding a pogo stick, and it could do a maximum of about 85 mph. This was the trials version too, which had slightly more power than the other road-going versions. Still miss it, though; I have fond memories of working on that bike with him on weekends. We did a LOT to that bike over the years.

Still, I prefer commuting by public transport to motorcycle. Warmer (unless the heating is broken, which I've known before) and more comfortable, and allows me to relax a bit before I get to work. If I didn't have to get up an hour earlier and get home two hours later, I'd commute on the bus.

 No.5447[Reply][Last 50 Posts]

How do you feel about it (and its creator)?
also please spam Charlie pics
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>It was an early 4chan meme that they stole lmao.

I mean yeah the 'joke' is literally just 'hurhur furries should die'.


They should make a helltaker anime.


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>t.Salty Furfags


i'd rather watch starship troopers for the 6th time tbh


We walked so that trollsonas and Hazbinners could run.

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 No.6750[Reply][Last 50 Posts]

what do you guys think of H.P lovecraft ?
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But they're cute though?


They would? How does he know how horses think?


>ooohaaahhh you know what would be so so scary omg
>air conditioning


His sleep was not a respite but a relentless deluge of night terrors. He found himself trapped beneath a cerulean surface, his lungs crying out for air as he strained against the crushing weight of the water. He fought against the suffocating current, only to find himself unable to escape, his screams dissolving into desperate bubbles that rose towards the sunlit surface, a distant reminder of a world he was being dragged away from.

Shaken awake by the terror of drowning, he sat up, gasping for breath, the very real sensation of water evaporating from his lungs. Sweat-soaked sheets clung to his trembling form, the scent of fear permeating the otherwise fragrant room. His eyes darted across the room, the familiar shadows playing tricks on his haunted mind.

His torment was ceaseless, sleep giving no quarter. These nightmare visions were punctuated with the chilling symphony of gunfire and the crescendo of strangled screams.

As he thrashed in his opulent bed, ensconced within the high-rise apartment of New Gaslight, his unconscious mind waged war against spectral foes. He embodied ruthlessness, his heart morphed into a cold, calculating sentinel, indifferent to the innocents swept away in the tide of his battle or the devastation that followed in his wake. His survival was the solitary beacon guiding his actions.

He rolled onto his side, a bead of sweat slipping from his brow, staining the plush pillow beneath him. Another jolt of fear sent him tumbling into the valley of dreams once more.

The dreamscape shifted, the city's menacing skyline replaced by the expansive openness of prairies. Stalks of wheat swayed ominously, brushing against the fabric of his subconscious, whispering secrets he had locked away. As abruptly as it had begun, his peaceful prairie morphed into another horrifying tableau. The tranquility of the field soon transformed into a snare, the open sky closing in, the ground beneath him swallowing him whole.

Now, he was encased within a claustrophobic wooden box, the damp earth seeping in through the cracks. The taste of the grave filled his mouth, the oppressive weight of his premature burial pressing down on him. His heart pounded a frantic rhythm against his ribcage, the muffled thump echoing within his earthen prison.

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Was she a Stalinist? She sure as hell never did anything wrong.
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>the space opera super prison

sounds rad asf, I hope wildbow learns all the lessons from his past works and keeps on improving.


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Just saying that Wildbow could have saved Ward or made a better version of it by setting Amy as protagonist. You know, the problematic teenager with a broody monologue and versatile powers yet vulnerable enough to set high stakes combat scenes. Parahumans, with all its worldbuilding and character interactions, is ultimately structured around fighting arcs. The audience would find her much more familiar to Taylor than Glory Girl, who was retconned as a cape nerd to appease the fanbase and has a generic Superman power that works best as a non-POV character.

It bothered me a lot that Panacea's power was never fully explored in Worm (even though canon has its reasons for Amy's power repression), because relay bugs and Khepri were really imaginative. And Ward is the perfect scenario for exploring shards' effects in a post-apocaliptic society, for creating new group dynamics based around capes and refugees as well as power interactions with allies and enemies.


Amy is a really interesting character, but I imagine a lot of people wouldn’t like her as the mc due to the strong implication of her being a body morphing rapist and her being written as a person who spends a lot of her time pitying herself.

I think Aisha would have been a better choice as an mc, she got an interesting ability that is simply but also allows a lot unique situations, she got herself bunch of potential sidekicks and her relationship with undersiders gives a lot of opportunity for angst.

I like Victoria, she has a fun dynamic with tattletale, but as a mc, she is very weak.


Her self pity is relatable to how she represses her own powers. Becoming protagonist would involve an act to bring closure to it. It's true that she borged/raped Victoria but Taylor also killed a toddler so it's a non-issue from representing heinous acts from a POV perspective.

The main thing impending this path is that rape relates more to real world problems than killing children to avoid the end of the world. And for her to be the Ward protagonist the post-S9 events couldn't have happened.

Also we have a new Claw chapter.



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Claw is pretty cinematic. When the protagonist chops down the dude I imagined it like a show Hannibal episode. It's a pity Wildbow isn't a published author yet because his works (especially this one) would work as adaptations.

Art by kalado.

 No.2[Reply][Last 50 Posts]

What are your thoughts on the Joker movie? Could it be considered somehow leftist?
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fuck this faggot this joker was based


Arthur has lumpen “consciousness”? and that’s kind of strange to see on film. Also, he did have a job at the beginning of the film but is fired and descends more into mental illness. You don’t normally see terrorists treated sympathetically in western media. I don’t know if I would call it leftist since Joker doesn’t have a coherent ideology and is just acting on vengeful instinct. That said, if shit ever really hits the fan you might have a lot of violent activity from individual actors. The shooting of the bankers snowballing into mass riots seems like a fantasy an anarchist following “propaganda of the deed” might have. I remember police being sent to movie theaters the film was playing in almost like there was an instinctual knee-jerk reaction by paranoid officials to squash people getting funny ideas about copying what they see.


Ok bitch.


> I don’t know if I would call it leftist since Joker doesn’t have a coherent ideology and is just acting on vengeful instinct.
The whole point of the movie is that he doesn't and what happens is driven by material circumstances rather than some belief system.
>The shooting of the bankers snowballing into mass riots
It's just the spark that ignites the tinder. The whole movie is spent showing conditions in the city deteriorating. Arthur Fleck is just one person experiencing social decay.

 No.23341[Reply][Last 50 Posts]

The ur-reactionary film

From time to time you get these right wing movies such as 300 and Conan the Barbarian which I call "reactionary films", i.e. any movie which is based on some hypermasculine white guy beating back the androgyne, ethnic forces of evil. Conan the Barbarian (1982) is the perfect example of this, the ur-reactionary movie

TLDR: Conan the barbarian (1982 movies) is a 1980s right wing movie, part of the Reagan turn/backlash against the 60s/70s. The witch he encounters and has sex with early through the movie is supposed to represent the evils of "free love", she literally turns into a ghost demon as she orgasms. The whole part where the girls father, the king asks Conan to get his daughter back from Thulsa Doom who is (probably) sexing his daughter. The cultists of Thulsa doom are supposed to be an analogue for hippie-commune 1960s people who tell Conan to "go back to the land" and have flower power shit. Next there's there's the gay snake-priest that tries to seduce Conan but Conan beats him up. The Villain of the movie is an ultra masculine deep voice black man (James Earl Jones as "Thulsa Doom") who has hypnotized a cult full of nubile dancing white girls into a sexualized stupor, sort of combining 1970s anti cult shit with anti hippie stuff. At the end the hippies put out their new age candles and shit and leave, and the girls go back to their fathers. All delivered by an ultramasculine white man (Arnie) to defeat and buckbreak black hypermasculinity (James Earl Jones). Essentially its the artistic reaction to undo the 1960s/70s and everything about it including sexuality, race, etc.

Long Version:

I: Introduction

Conan the Barbarian is a 1982 epic sword and sorcery film directed by John Milius and written by him and Oliver Stone. Based on Robert E. Howard‘s Conan, the film stars Arnold Schwarzenegger in the title role and James Earl Jones, with Sandahl Bergman, Gerry Lopez, Max von Sydow, Mako, Sven-Ole Thorsen, and Ben Davidson.

The film gave Schwarzenegger worldwide recognition, and in the years since its release, it became a cult film, making a lot more money on home video. It spawned a sequel, Conan the Destroyer, in 1984, and a reboot was made in 2011.

A link to quotes from the film can be found here.
Post too long. Click here to view the full text.
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Glad im not the only lefty who fucks with pulp horror, been publishing these zines, mix of classics (including phoenix on the sword) as well as new stories submitted by members of the working class


Conan's disdain for decadence and corruption aligns with the Maoist critique of the old society's culture as maintaining the status quo of exploitation and oppression.


Tbh I liked it at first but imo Rick is too much of an unlikable sociopath, Jerry is too pathetic, the show comes off as simultaneously too self-important and too mocking of its fans who overrate it.
Nonetheless it's overrated with absolutely autistic fans, and the whole sechzuan debacle, my God….
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The only Rick and Morty episodes worth watching


>The new guys are fine. You can tell the voices are different if you've watched this far and anyone who says you can't is a coping Redditor, but by the same token only seething Roilandcels would say they hurt the season. It's the writing.
A lot of the content in the show (at least half the jokes) was Justin Roiland riffing in the recording booth. So in a sense it is the new voice actors, or rather it's the gap left by removing the guy they're replacing. People forget that he's not just a voice actor. Him and Harmon were the creators/showrunners. It'd be like trying to do King of the Hill without Mike Judge.


Everything I read said that roiland checked out after season 2 and basically wasn't talking to Harmon or anyone in the later seasons.


flash animation and reddit humor. why would any sane person like this?


>it's not Rick and Morty Parody 1-30

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