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File: 1619644473296.jpg (78.22 KB, 700x350, Nagatoro.jpg)

 No.7100[Reply][Last 50 Posts]

I heard Nagatoro was adapted recently is it worth watching?
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I don't know how to tell you this but this thread is almost 2 years old


recently is, in fact, relative, given that even though the thread is old, this is still a recent fact when viewed in comparison with, say, the collapse of the roman empire


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based retard

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 No.3388[Reply][Last 50 Posts]

Not much of a vtuber fan, I only occasionally watch clips, but I'm saddened to hear that even something as innocent as the vtuber sphere has been infected with politics and will breed new reactionaries out of lonely people with nothing better to do. Is no form of escapism safe from politics anymore?
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Pekora bought a monkey.


pekora has bought a resident of si/b/eria


a fuckin monkeeeeeeeeeeeeeeeeeeeeeeeee





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blah blah support the creator and shit


thanks sis


Bless you.


Thanks brez


Right-wingers getting into Vinland Saga because they see le epic vikings always end up whining about how "moralizing" and "boring" it is. When the author added a trans person circles like 4ch*n absolutely exploded.

Yukimura is smarter than Miura because he ripped the bandaid off in a single arc. Every Vinland Saga fan after the Farmland Saga knows what they're there for, while a plurality of Berserk fans are meatheads waiting for the next brutal sexual assault and getting mad Guts wanted to save Casca over hunting down Griffith.
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The baltic arc was shit, but the current vinland arc is ok. I'm glad he skipped the travel to Greece and return.


I’m just glad it isn’t like any other generic post 80s anime and by that I mean in its aesthetics. I hate how similar animated characters look in a lot of anime compared to the diversity seen in the rest of east Asia, Europe and NA


I always liked Vinland for trying to be historically accurate and of course for great fights. Unfortunately the whole philosopizing never have been a strength of the author. It's too much lib for me, too idealistic. Also anachronistic. People from that time didn't really thought like that.

The farm arc was pretty great though, not gonna lie. After that it was kinda meh. I think i decided to drop it after the native american had visions of nuclear bomb.


>I'm glad he skipped the travel to Greece and return.
I dunno, i was kinda hyped for how he would portray long travel and trade between different cultures. Was disappointed when they have just skipped that.


Did you just copy this thread from twitter?
Anyway, I dropped the the show quite early. A grounded historical drama does not mesh well with superpowered shonen characters.

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>when you read about capitalism's tendency towards overproduction and realize that's why there's a constant barrage of seasonal anime otaku feel pressured to keep up with
really hating this capitalism thing bros can we play another game
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who are you quoting


learn to read


learn to quote


>doesn't comprehend use of greentext in a chan setting
Go back.


this is an imageboard, not a chan, and greentext is a /v/ newfag thing

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Many seiyuu can sing, dance, act onstage, AND voice act. Meantime American dub VAs can barely voice act.


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Do American dub VAs make mad money?

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does anybody here remember the panty & stocking anime
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Yes it was fun. Hated the first episode though. Dub had funnier dialogue than subs.

There is a hentai of it?

Seriously? Hopefully it's as enjoyable.


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It's been more than 10 years…
But p&s are from gainax


they bought the rights to it.



Okada claimed that animators are so poor even though the industry attracts more money than ever because the production committee caps the budgets on individual anime titles. This is apparently because of a culture of corporate collusion, where the lead investing company determines beforehand the highest amount every other company in the committee can spend proportionally.

Okada elaborated that because control over the copyright is proportional to the amount of investment, companies will bid to become the highest investor (this is usually 40%). Once they attain this status, they have the power to determine the budget. For example, if the lead investor spends $4 million, the budget would be capped at $10 million.

After the budget has been determined proportionally, production committees will not accept larger investments from outsider (usually foreign) companies. A large investment would be split into separate projects to keep those companies lower down in the production committee. For example, Okada said that if a Chinese company offered to pay for an entire $10 million budget, the production committee would turn their investment into $50,000 chunks across 20 different projects. In other words, to maintain control and profits, the Japanese companies on anime production committees are incentivized to use the surplus from foreign investment to fund other projects instead of increasing an individual title's budget.
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More anime is not bad, the problem is overextended studios that are not able to maintain quality, for this more money is needed yes. In this you are right, but simply increasing the investment cap would naturally lead to studios still over exploiting animators, but having shows look better, while possibly being more generic and Hollywood like. The real answer is unionization, which would lead to raising the investment cap and increasing quality, as workers are not over extended.

But since at this point unionization seems to be impossible, I'm going to go the tankie route, and say that a popular front with the petit bourgeois that wants to keep production budgets low is best, so animators will have to be sacrificed to maintain democracy 😞


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>last couple of good seasons was ~2 years ago i believe
ive been reading these exact same words for a over a decade already lmao


i'm really not joking though, winter 2021 was filled with kino


>at this point unionization seems to be impossible
where did we go wrong bros


Everyone focusing on the "more anime coming out" part and not on "animators get paid shit as usual".


I remember watching random episodes on adult swim 20 or so years ago and thinking it was cool, but damn, I didn’t realize this show was as interesting, deep, and meaningful with characters who grew or developed with such novel time appropriate scifi or western plots.

So it wasn’t just a theme song after all.


You might also enjoy Samurai Champloo


seconding this. i actually like samurai champloo better even though it has slightly worse animation quality due to being an early digital anime

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so I read the oldboy manga in one sitting after watching the movie. What a joke of an ending that was. Needless to say, I liked the film's interpretation far better. It would have been interesting to see the Spielberg-directed American adaptation that was supposedly going to faithfully adapt the manga, though.
The person who decided to do that shot-for-shot Hollywood remake of the Korean movie was fucking stupid.


Spike Lee's remake is hilarious. Don't know who decided the main antagonist should be a britbong. Hope the full 3 hour cut is released someday.


Also the twist, I feel I have to explain it so other people hopefully won't waste theirtime tie reading this crap

So the protagonist and villain were in the same elementary school together, the villain was ugly and lonely but genuinely didn't care what other kids said about him, But one day the antagonist had to sing in front of the whole class and other kids laughed at him but he didn't care, however the protagonist cried because he was moved by the song and could understand the loneliness behind it, the villain was then unable to function in society because he couldn't tolerate the idea of someone knowing how empty he felt and inside and it destroyed him as a person

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