It Used to Really Matter When People Fired Guns at PresidentsIt’s an odd thing to wake up on a Monday after a weekend in which someone tried to assassinate the president of the USA, and feel absolutely nothing about it. As far as I know, the Washington Hilton doesn’t specialise in mogadon-laced mojitos. So, odder still to spend your Sunday reading reports of the gunfire at the hotel’s ballroom on Saturday night, only to find the press – many of whom were present at the White House Correspondents Dinner taking place at the time – going through the motions of reporting with all the passion of an ambien-zombie on a 2am fridge-raid. Meanwhile, online, people went berserk, pumping out oceans of theory on the basis of camera angles, slow-motion presidential micro-expressions and the alleged shooter’s slim LinkedIn profile. And maybe that’s what’s behind the detachment with which we encounter what ought to be a pretty big deal. We’re not dead inside (yay). But we’re drowning in meaning, smothered in significance, much of it deliberate, and from every angle. A glance across a coffee shop from a stranger? A gunshot across a ballroom from a danger? Bro, everything is romantic.
https://novaramedia.com/2026/04/27/it-used-to-really-matter-when-people-fired-guns-at-presidents/ Art, alienation, and revolution In day-to-day life under capitalism and class society, the vast majority of people feel alienated from society, including from its greatest art and culture. In a revolution, all of this changes and is upended, as the masses move to change society. Consequently, in every revolution, there is almost always a corresponding artistic expression of ordinary people’s desire for freedom and a life worth living. The French Revolution, as Russian Marxist Georgi Plekhanov remarked, made art a matter for the masses, and not just the ruling class. The numerous holidays, processions, and celebrations based on the ideas of the revolution stand testament to that. The Russian Revolution did the same thing, by throwing open the doors to art and culture for the masses who had never before experienced it. The entire country, including the peasantry, was swept up in an “epidemic” of theatre, and agitprop trains brought sight and sound to people who had no experi
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